With its 2010 magnum opus, Peacocks / Pink Monsters, Bay Area string-metal trio Judgement Day sought a visual aesthetic that was as spontaneous and limitless as its music.
My Brightest Diamond: All Things Will Unwind Rob Crow: He Thinks He's People Freestyle Fellowship: The Promise Electro Quarterstaff: Aykroyd Sandro Perri: Impossible Spaces Sahy Uhns: An Intolerant Disdain of Underlings
Björk: Biophilia Icebird: The Abandoned Lullaby Mayer Hawthorne: How Do You Do? São Paulo Underground: Trés Cabeças Loucuras Myrath: Tales of the Sands
With its first full-length album in a dozen years, oddball rock trio Primus displays a new-found vigor thanks to newly returned drummer Jay Lane -- while again peppering its buoyant music with subtly deep subject matter.
In an experimental mass of metal riffs and rapid-fire strobe effects, Norway's KILLL assaults the senses with a frantic live display, further enriched by Are Mokkelbost's musical and artistic creativity.
With vibrant album art and videos, a live light show, and multi-layered musical expressions, Holy Fuck has made its aural/visual aesthetic as colorful as its name.
FAT32: s/t Asche & Spencer (and Chris Cornell): Machine Gun Preacher soundtrack Nurses: Dracula The Nice Guy Trio: Sidewalks and Alleys / Waking Music Chris Letcher: Spectroscope
The Chemical Brothers: Hanna soundtrack Fantômas: The Director's Cut Live: A New Year's Revolution Chthonic: Takasago Army Roc Marciano & Gangrene: Greneberg EP Arkona: Slovo
Led by former Slowride front man and woodworking specialist Dan Phillips, drone-rock trio True Widow is coming up in an underground Dallas music scene that's finding its voice.