For us, 2011 was another year of taking in as much as we could and sharing the best with you. Next year, however, will be a homecoming of sorts, a return to rock-'n'-roll roots. We'll soon be able to share the projects that we have in store — across multiple mediums — but for now, dig into this rock-focused list of must-own albums.

And for more, revisit (or simply visit) our lists from 2010 and 2009:

100 Unheralded Albums from 2010
50 Unheralded Albums from 2009

Steven Drozd: The Heart Is A Drum Machine (The Score) (Twinkle Cash Co., 1/18/11)

Steven Drozd: "Born"

A multi-instrumentalist and the third-most-tenured member of The Flaming Lips, Steven Drozd marked his first official solo release early this year with the nearly instrumental accompaniment to the documentary The Heart is a Drum Machine.

The music shares a lot of characteristics with the Flaming Lips of the past dozen years – synthesized grooves, big rock beats, fuzz bass, airy keyboards, and different instrumental flourishes weaving in and out. But listeners are unlikely to confuse the two, and the score succeeds as a standalone album as well as a film accompaniment.

…And You Will Know Us by the Trail of Dead: Tao of the Dead (Richter Scale Records / Superball Music, 2/8/11)

…And You Will Know Us by the Trail of Dead: "Weight of the Sun"

There has been no shortage of grand themes and allegories in the canon of Austin post-punk quintet …And You Will Know Us by the Trail of Dead. The band’s newest album, however, better matches its ambitious themes with its music, presenting an epic pair of pieces for Tao of the Dead.

The album recalls progressive albums of yore, from the likes of Rush and King Crimson, but channels them into easily digested movements. Stretches of heavy distortion and drum thrashing will appeal to the more metal-minded Trail of Dead fans, but there’s also plenty of hook-laden, radio-ready alternative rock.

Wires Under Tension: Light Science (Western Vinyl, 2/8/11)

Wires Under Tension: "Electricity Turns Them On"

Light Science is the exciting debut from Wires Under Tension, a duo comprised of violinist/multi-instrumentalist Christopher Tignor and drummer Theo Metz. With help from a few friends, including Jared Bell of Lymbyc Systym, the two combine live performance with electronic manipulation, sounding something like a progressive Dirty Three with horns, hip-hop beats, and post-rock guitar swells.

This seven-track release is a dense, fluid collection that retains consistency thanks to Metz’s steady rhythms. Electro-mechanical piano, clavinet, and synthesizers mesh with loops and samples to round out an impressive first release.

Pitom: Blasphemy and Other Serious Crimes (Tzadik, 2/22/11)

Pitom: "Head in the Ground"

Combining heavy, fuzzy rock jams with Jewish melodies, Pitom is one of many projects from guitarist, bassist, and composer Yoshie Fruchter. Blasphemy and Other Serious Crimes, the quartet's second release on Tzadik, follows the same path as its predecessor, but it does so with a bit more cohesion and restraint.

Built from the ground up with distorted bass and violin, the band's music carries similarities to that of Skeletonbreath and Miasma & The Carousel of Headless Horses. Whether driving a song with an infectious melody, commingling with the violin in the high end, or simply taking over a track with raw ability, Fruchter knows when to go full throttle (the punk power of "An Epic Encounter") or pull back (the dark slow jam of "A Resentful Repentance").

The Psychic Paramount: II (No Quarter, 2/22/11)

The Psychic Paramount: "RW"

Though relatively silent for the past six years, New York noise-rock trio The Psychic Paramount returned in February to release its first full-length since 2005. Effected guitar loops, devastating low-end grooves, and bashing rhythms again form the core of the band's sound, but II is a direct yet dynamic rock explosion.

Between the guitar, the cymbals, and the effects, the mid-range gets a constant workout. Those who are turned off by this kind of music may find it to be an exercise in patience, but the lengthier durations are a testament to the trio's skills at climax and denouement.

DeVotchKa: 100 Lovers (Anti-, 3/1/11)

DeVotchKa: "100 Other Lovers"

Following the fame from its Oscar-winning soundtrack for Little Miss Sunshine in 2006, Denver multi-instrumental quartet DeVotchKa has playfully tinkered with its sweeping, emotive sound. Though it already tossed together elements of folk, rock, Mexican, and Gypsy music, it remained united by the sullen croons and songwriting of frontman Nick Urata.

That unifying factor remains, but its newest album, 100 Lovers – its second post-Sunshine full-length – continues to expand the band’s scope. The material adds new and often subtle flavors to DeVotchKa’s repertoire. Uninitiated listeners might hear more of the same, but 100 Lovers is perfect for content fans – moving in new directions without a radical departure.

Stateless: Matilda (Ninja Tune, 3/1/11)

Stateless: "Ariel"

Matilda, Stateless' second full-length, showcases the British electro-rock group's continued maturity. Lead singer Chris James hits an impressive range of notes, from reverb-cloaked backing croons to soulful leads, atop an amalgamated mix of styles, sounds, and beats.

With contributions from The Balanescu Quartet, DJ Shadow, and Shara Worden (of My Brightest Diamond), Matilda is stylistically inventive, with familiar worldly touchstones reworked into new contexts.

Grails: Deep Politics (Temporary Residence, 3/8/11)

Grails: "I Led Three Lives"

With cinematic soundscapes, Westernized Indian melodies, film-noir mystique, 1960s psychedelia, and crushing heaviness, Grails is an instrumental rarity. The Portland band's newest offering, Deep Politics, is an engaging and epic mix of acoustic intonations, indigenous sounds and melodies, spaghetti-western motifs, somber piano balladry, and more doom-filled, Eastern-infused stylistic transcendence.

And thanks in part to arrangements by Timba Harris, the mighty violinist from unparalleled genre annihilators Estradasphere and Secret Chiefs 3, Deep Politics vies to be Grails’ best album yet.

Parts & Labor: Constant Future (Jagjaguwar, 3/8/11)

Parts & Labor: "Constant Future"

After establishing itself early last decade as an interesting new name in noise rock, Parts & Labor delivered a flurry of releases over the span of just a few years. Since then, the band has scaled back to a trio built around the fuzzed guitar, bass, keyboard hooks, and tight rock rhythms.

Featuring some of the band's sturdiest songs yet, Constant Future is direct, potent, and catchy. Behind Dan Friel and BJ Warshaw's echoing, harmonized vocals are dirty, thick grooves that power the overlaid electronic freak-outs.

Adebisi Shank: This is the Second Album from a Band Called Adebisi Shank (Sargent House, 3/15/11)

Adebisi Shank: "Micro Machines"

Released to European acclaim in 2010, the aptly titled second album from Irish electro/math rockers Adebisi Shank achieved North American release this year thanks to the peerless Sargent House.

The management company / record label describes the trio as a blend of Fang Island’s shredding riffs with Battles’ electronic quirkiness and rhythmic playfulness. That description isn’t off the mark, but readers won’t get a sense of the band’s real abilities until they hear its hyper-melodic, polyrhythmic, and — most importantly — jubilant songs in full.

Second Album delivers a maelstrom of zany electronics, unusual distortions, and triumphant, rapidly ascending scales mixed with vintage synths, marimba, horns, and other accoutrements. This is all packaged between and around gloriously catchy and powerful rock riffs, resulting in a manic and buoyant sophomore effort.

Flash Bang Grenada: "In a Perfect World" (f. Open Mike Eagle)

Some rappers tell stories, some tell jokes, and some mangle language into a string of witticisms. A few manage to do all three of these things at once. It's this balance that LA-based rhymer Nocando hopes to achieve. His affiliation with stalwart rap collective Project Blowed led to a rapid ascent of the battle-rap circuit, culminating in a 2007 Scribble Jam championship. Known for his clever, sarcastic style, he recently teamed up with kindred spirit Busdriver to form Flash Bang Grenada. The duo's debut album, 10 Haters, was just released in late August and received a TWBA nod. Here, Nocando explains what wordplay means to him, and how he hopes to one day harness its powers.

Wordplay
by Nocando

As far back as I can remember (roughly seven years ago), I've been consumed with wordplay. It's the tool that a rapper's ego uses to stroke itself. Even if the rapper doesn't pause after the punchline and say, "Get it? Let's get it!" and use ad libs like "Dayummmm" to highlight his wordplay, he secretly wants to do. I'm not trying to make this an "I hate wordplay" rant, because I'm one of the wordplay-abusing rappers in question.

Me: Hi, I'm Nocando. I'm a wordplay junkie.
Other wordplay junkies: Hi, Nocando.

I've written dozens of songs that have personal meaning to me, and approximately twice as many that are utterly devoid of anything remotely profound. And the thing is that even the meaningless songs are strewn with similes, metaphors, imagery, and lots of mocking of other rappers. Every time I listen to one of them, it feels like I gave myself a pep talk, jerked off with one hand, and beat Street Fighter 2: Championship Edition with one credit using the other. As much fun as that may sound, the euphoric feeling is short-lived. The lyrics that I'm most proud of have the least amount of wordplay and can be recited in crowds that don't listen to rap music — the way that real heads / wordplay junkies do.

I've learned firsthand that words can be powerful — and not in that after-school-special sort of way. Words can break hearts or break up families, get someone hired or fired, get you laid or get you jumped, and so on. Wordplay and poetic devices are best used to accessorize ideas. If you go overboard with the accessorizing, it makes the idea appear tacky. If the idea isn't already attractive in the first place, then you're just putting a wig on a pig and fooling no one but yourself (by yourself, I mean me).

To me, there's nothing like a subject that is so attractive that it screams to be touched and approached with just the right amount of metaphors, similes, puns, and punchlines. In my opinion, the best lyricists always have great subject matter, concepts, ideas, and wordplay. One day, I aspire to find that balance.

Retox: Ugly Animals (Ipecac)

Retox: "30 Cents Shy of a Quarter"

Featuring Justin Pearson and Gabe Serbian of The Locust and Holy Molar, Michael Crain of Kill the Capulets and The Festival of Dead Deer, and solo artist Thor Dickey, Retox has roots in some of the most challenging bands to come out of West Coast DIY punk and hardcore over the past few decades.

On this debut LP, 11 furious and fast-paced tracks blaze past in just 13 minutes. It’s noisy and angry but has plenty of riff hooks, balancing speed and intricacy with easily digestible melodies over Serbian’s plentiful fills. According to the band, its existence is owed, in part, to stagnant counterculture, and that’s apparent on suggestively titled tracks such as “Boredom is Counter-Revolutionary.” Retox’s sound matches that message, and hopefully, future releases will provide more.

Active Child: You Are All I See (Vagrant)

Active Child: "You Are All I See"

Borne from a desire to combine electronic and choral music, Active Child is the solo moniker of multi-instrumentalist and vocalist Pat Grossi.

His debut full-length, You Are All I See, may draw initial comparisons to the electro-R&B of How to Dress Well, the heavily hyped project by Tom Krell (who guests on "Playing House," one of the album's first singles). In actuality, however, Active Child reflects a greater technical ability and sense of songcraft.

From the start, You Are All I See showcases beautiful harp mastery mixed with an indie-tronica backdrop and dramatic, undulating, multi-layered falsettos. Lines of counterpoint dance atop a base of synthesizers, drum machines, and samples, all while Grossi's overdubbed vocals provide another layer of aether. And as Grossi sings about love, broken hearts, and battles with monogamy,
he attempts to connect with listeners in ways deeper than beautiful melodies.

Flash Bang Grenada: 10 Haters (Hellfyre Club / Alpha Pup)

Flash Bang Grenada: "In a Perfect World" (f. Open Mike Eagle)

Indie rappers Busdriver and NoCanDo have reputations for being wordy, nerdy, and bitingly sarcastic. For Flash Bang Grenada, the two have joined forces (outside of one-off collaborations) to make nerd rap gone dirty — in no small part from the rhymes of NoCanDo, a Low End Theory battle rapper who confesses to "manipulating emotions on a really crude scale."

With their first full-length together, the two have taken to toppling the mainstream rap game by fighting fire with fire. Amid frequent drops of "bitch" and "ho," the listener is never entirely sure what's sarcastic or tongue-in-cheek, but the graphic lyrics are much more than gratuitous mockery. More importantly, there's an underlying tolerance. In the first single, "Beat My Bitch" (a song about rap beats, not women), Nocando rhymes, "And I come from a really supportive family, so when I make it big, I'll buy my gay cousin a gorgeous tranny." The song later ends with a sarcastic utterance of "misogyny is cool."

"Moisturizer" mocks the sex-centered rap and R&B hits that have dominated the airwaves, acting as a declaration to touch yourself…to apply a skin lotion. Political messages slip through as well, most noticeably on the track "In a Perfect World," where Busdriver rhymes, "If it was up to me, everyone in the Tea Party would be able to speak Farsi, and Lockheed would sell Playmobils and be funded by Steve Harvey." By the album's penultimate track, "Hyperbolic," the Flash Bang Grenada modus operandi becomes very clear: excess and exaggeration.

Busdriver and NoCanDo both carry their mantles as masters of wordplay, but the album fields a bevy of other key contributions, including great production from Mexicans with Guns, Nosaj Thing, Free the Robots, Shlohmo, Busdriver, and more for heavily synthesized, beat-banging hip hop. And with guest spots by Del the Funky Homosapien and Open Mike Eagle, it's practically a family affair.

The Balanescu Quartet: This is the Balanescu Quartet (Mute)

The Balanescu Quartet: "The Model" (Kraftwerk cover)

The Balanescu Quartet is the striking string quartet of Romanian violinist/composer Alexander Balanescu, an Israeli immigrant who fled the rule of Romanian dictator Nicolae Ceausescu prior to attending an assortment of music schools. The group came to prominence with its first release on Mute, Possessed, which reinterpreted Kraftwerk classics alongside Balanescu originals.

The group later paid homage to the "Romanian Edith Piaf," Maria Tanase, but Balanescu and co. have proven capable of much more than tributes, combining elements of European folk, film scores, electronic noise and beats, and avant-garde chamber styles throughout its discography.

This is the Balanescu Quartet is the start of Mute's "An Introduction to…" series that offers an easy starting point for artists with vast bodies of work. Over 12 tracks — three from each of Mute's four Balanescu releases — the compilation strikes a nice balance, weaving through the material in an agreeable order instead of simply running the tracks chronologically. The album comes highly recommended for anyone wanting an introduction to Balanescu — or simply to adventurous string quartets.

Honorable Mentions

D. Gookin: Spiral Style (Moodgadget)

Ghost Brigade: Until Fear No Longer Defines Us (Season of Mist)

Nazca Lines: Hyperventilation (Stressed Sumo Records)

Stephin Merritt: Obscurities (Merge)

Zee Avi: Ghostbird (Brushfire / Universal)

Download the podcast for This Week’s Best Albums: January 25, 2011 and subscribe to This Week’s Best Albums for free with iTunes.

Stream the podcast for This Week's Best Albums: January 25, 2011.
This Week\'s Best Albums: January 25, 2011

John Vanderslice with The Magik*Magik Orchestra: White Wilderness (Dead Oceans)

John Vanderslice with The Magik*Magik Orchestra: "Sea Salt"

White Wilderness, the newest full-length from John Vanderslice, is a first for the indie singer/songwriter, recorded in collaboration with Minna Choi and The Magik*Magik Orchestra.  A malleable ensemble that bills itself as a “modular orchestra” of 18-35 people, the MMO performed live with Vanderslice a few years ago, and it has a résumé that includes collaborations with lots of other great rock and neoclassical musicians, including Jonny Greenwood, Tin Hat Trio, Hauschka, and Ben Johnston.

The group's addition here has really elevated Vanderslice’s material, which now breathes with a cinematic quality while backed by string, horn, and percussion sections. The material is replete with spare, delicate moments of respite — the result of Choi’s adaptable arrangements.   From its stirring and delicate opener, "Sea Salt," White Wilderness is an incredibly layered album that shows the depth of Vanderslice’s writing.

Phil Manley: Life Coach (Thrill Jockey)

Phil Manley: "Make Good Choices"

As a founding member of post-rock/dance-punk trio Trans Am – and as a recording engineer and member of The Fucking Champs and Oneida – guitarist Phil Manley has become endeared to fans and fellow musicians alike.  Now, after two decades of work, he has released his first solo album, Life Coach, and it’s unlike anything that he’s done prior.

The music, by and large, is a group of long-form instrumentals that build and swell with loops, effects, and overdubs.  Both electric and steel-string acoustic guitars are at the fore, with a handful of synthesizers and a touch of drum machine in the background.  Life Coach showcases both technical talent and melodic musicianship, and in the process, it reveals a side of Manley not frequently seen in his other projects.

Andre Afram Asmar: Harmonic Emergency (Mush)

Andre Afram Asmar: “Onward Farword”

Back in 2003 and 2004, Palestinian-American dub musician Andre Afram Asmar made waves for his unorthodox blend of hip hop, reggae, and Middle Eastern music. His debut for Mush Records and his subsequent full-length collaboration with MC Circus garnered critical acclaim, and Asmar made other notable associations, including work with rappers Busdriver and AWOL One and reggae singer Majek Fashek.

But as he was preparing for a big tour in late 2004, Asmar suffered a serious brain aneurysm, and his recovery since that time has been a slow and arduous process.  As a result of the aneurysm, Asmar lost ability in the left side of his body and lost vision in his left eye.  But he remained undeterred in his musical journey, and he has since had some help to complete Harmonic Emergency, the follow-up to Racetothebottom.

Originally begun being tracked in 2001, Harmonic Emergency is a strange and trippy dub creation, with sung, half-sung, and spoken-word vocals bouncing off rubbery thuds and beats.  Electronics and breakbeats get things moving, and plenty of Middle Eastern melodies and timbres maintain that “world fusion” vibe.

Bruce Lamont: Feral Songs for the Epic Decline (At A Loss)

Bruce Lamont: "2 Then the 3"

From the psych- and jazz-tinged metal band Yakuza, to the industrial homage Circle of Animals, to local improv jams, and even to fronting a touring Led Zeppelin cover band — saxophonist/singer Bruce Lamont has lent his assorted skills to a boatload of notable projects.  Now the multitalented frontman has unveiled his long-stewing solo debut, Feral Songs for the Epic Decline, on At a Loss Recordings.

Composed of seven free-flowing tracks, the album features more acoustic guitar, synthesizer, and unearthly vocals than some might expect.  The album’s foreboding atmospherics are its most consistent attribute, as it unfolds almost as a long-form singer/songwriter experiment.  Dark folk refrains give way to distorted tribal percussion, wailing sax lines, and noise-filled passages, but they’re all united by Lamont’s elongated – and surprisingly potent – chants and croons.

Monotonix: Not Yet (Drag City)

Monotonix: "Give Me More"

Hailing from Tel Aviv, Israel, the garage-rock trio Monotonix has attained surprising amounts of exposure in the Western hemisphere.  Much of that is due to the group’s wild live shows, which have caused consternation at venues in Israel.  As a result, the band hit the road and played hundreds of shows in Europe and America before it even had an EP out in the States.  But clearly, the band has connected with audiences thanks to its loud, raw, and unpolished sound, and now it has released Not Yet, its second full-length album for Drag City Records.

Previously, Monotonix has recorded with American musicians/engineers such as The Fucking Champs’ Tim Green and Shellac’s Steve Albini, and the latter was again tapped for work on Not Yet.  With extra fuzz and low end, it’s another disc of aggressive, straightforward, three-minute rock tunes with wailing, off-pitch vocals and errant solos.  To say that the base riffs are minimalist might be assigning too much complexity to it; some of them are built around just two chords.  But regardless, Not Yet is another musical fireball, achieving its appeal with rock energy rather than expertise.

Talib Kweli: Gutter Rainbows (Javotti Media / Duck Down)

Talib Kweli: "Cold Rain"

Following a handful of underground releases in the mid-‘90s, Talib Kweli burst on the national stage a few years later as part of Black Star, his highly successful hip-hop duo with Mos Def.  The two parted ways after one album, but Kweli went on to countless other collaborations and a series of acclaimed solo efforts. Gutter Rainbows is his fifth and newest solo release – his first since 2007 and first in a long time to be released without the aid of a major label.  It’s out now but only digitally in North America; it’s available elsewhere on CD thanks to Duck Down Records.

Compared to his last album, Eardrum, the music has a much fuller sound while striking a nice balance between soulful, funky, and bassy styles and a harder edge. It doesn’t have the big-name producers of Eardrum – which included Kanye West, Will.I.Am, Pete Rock, and Madlib – but it sounds like a more realized album.  Whether it’s with a diversity of instruments and samples, great backing performances, or just Kweli’s relentless flow, Gutter Rainbows is an exciting addition to his catalog.

Honorable Mentions

Banquet of the Spirits / Cyro Baptista / John Zorn: Caym: The Book of Angels, Vol. 17 (Tzadik)

Bill Frisell and Vinicius Cantuária: Lagrimas Mexicanas (E1)

Charles Bradley: No Time For Dreaming (Daptone)

Caroline: Verdugo Hills (Temporary Residence)

Deerhoof: Deerhoof vs. Evil (Polyvinyl)

Destroyer: Kaputt (Merge)

Ensemble: Excerpts (Fat Cat)

Lia Ices: Grown Unknown (Jagjaguwar)

Iron and Wine: Kiss Each Other Clean (Warner Bros.)

Kodo: Akatsuki (Otodaiku)

Georgia Anne Muldrow: Vweto

Thank You: Golden Worry (Thrill Jockey)

Sidi Touré: Sahel Folk (Thrill Jockey)

Zs: New Slaves Part II: Essence Implosion! (The Social Registry)

ALARM leaves no genre unloved in our round-up of 50 albums that didn't receive enough attention in 2009.

Omar Rodriguez Lopez: Old Money (Stones Throw, 1/27/09)

Omar Rodriguez Lopez: "Family War Funding"

The first of many releases in 2009 from prolific guitarist/composer Omar Rodriguez-Lopez. Accessible and centered on rock, sounding spacey, funky, progressive, psychedelic, a little jazzy, and a little Latin.

Kevin Hufnagel: Songs for the Disappeared (self-released, 2/3/09)

Kevin Hufnagel: "Tres"

Musical themes come and go, covering swaths of Spanish and Gypsy guitar before reverting back to haunting rock melodies, on this solo acoustic album from highly technical Dysrhythmia guitarist Kevin Hufnagel.

P.O.S: Never Better (Rhymesayers, 2/3/09)

P.O.S.: "Drumroll"

Likely the year's best hip-hop album, Never Better draws on Stefon Alexander’s background in punk and rock music (he plays most of the live instrumentation on the record), making this is an album that categorically defines the indie in indie rap.

Zu: Carboniferous (Ipecac, 2/17/09)

Zu: "Ostia"

Sludgy alt-metal with complex repeated rhythms and free-jazz freakouts. Features Mike Patton on two killer tracks.

The Andreas Kapsalis & Goran Ivanovic Guitar Duo: s/t (2/24/09)

The Andreas Kapsalis & Goran Ivanovic Guitar Duo: "Shadow Thief"

A Balkan-influenced classical guitarist joins an ethically inspired finger-tapping guitarist for a disc of skill and beauty.

16: Bridges to Burn (Relapse, 2/24/09)

16: "Throw in the Towel"

Dubbed the "Unsane of the West Coast" by ALARM's Jamie Ludwig, 16 issued another hard-hitting riff fest in 2009 with Bridges to Burn, the band's best album to date.

Umlaut: s/t (3/10/09)

Umlaut: "Kitty Puppy"

Mr. Bungle's Bär McKinnon, multi-instrumentalist extraordinaire, issued one hell of an album for this new project — one that filters meticulous melodies and asinine vocals through the lens of a whacked-out lounge group.

Jono El Grande: Neo Dada (Rune Grammofon, 3/16/09)

Jono El Grande: "Oslo Coty Suite"

Fanciful music that's different around every turn. Art rock that weaves through theatrical, progressive, classical, and absurdist styles with influences from Frank Zappa, Captain Beefheart, King Crimson and Igor Stravinsky.

Kylesa: Static Tensions (Prosthetic, 3/17/09)

Kylesa: "Scapegoat"

Down-tuned dirge metal that rumbles with crust punk, sludge, metal, hardcore, and psychedelia, often laced with atmospheric samples. To date, Static Tensions is Kylesa's most powerful album.

(MF) Doom: Born Like This (Lex, 3/23/09)

Doom: "Cellz"

Dropping his “MF” prefix, the incomparable rapper and Marvel-inspired supervillain delivered another nearly impenetrable wall of rhymes and flow, dizzying listeners with his ever-shifting, slowly delivered lyrics.

Secret Chiefs 3

Having covered Indian, Persian, surf, metal, spaghetti Western, and electronic music — and so much more — Trey Spruance's unparalleled Secret Chiefs 3 has now set its sights on the Italian giallo horror/erotica genre of the 1960s and '70s.

Translating to The Severed Right Hands of the Last Men, this album encapsulates 30 brief, often abstract film cues that sonically invoke images of bloodcurdling terror — as well as moments of passive tranquility — inspired in part from the works of Bruna Nicolai, Ennio Morricone, Goblin, and other noted giallo composers.

It also represents the first release from Traditionalists, a subset of the SC3 umbrella that finds inspiration in fanciful cinematic scores.  It's impossible to know whether the next release will be the long-awaited Book of Souls or rather a full-length affair from another subgroup, but regardless, it's sure to cover uncharted (or neglected) territory.

Secret Chiefs 3: Le Mani Destre Recise Degli Ultimi Uomini preview
Secret Chiefs 3: Le Mani preview

Coalesce: OX (Relapse)

After 10 years, multiple reunions, and talk of resurfacing as a new entity, the hardcore maelstrom that is Coalesce has returned with a new full-length disc.

Following an outstanding two-song seven-inch in late 2007, OX finds the four-piece demolishing ear drums while treading new ground, edging into bits of acoustic melancholy, heavy blues, harmonized vocals, and spaghetti Western.

The softer moments aren't actually new; the Coalesce / Boy Sets Fire split included a thematic revamp of the Coalesce vibe, and There is Nothing New Under the Sun included a few true-to-form renditions of Led Zeppelin classics.  Here, however, the moments are interspersed or used as intros/interludes.

The upcoming OXEP, a seven-song addendum, branches out further, featuring vocalist Sean Ingram's preteen daughter screaming on a part of "Through Sparrows I Rest."  If that doesn't grab you and force your head to bang, OX surely will.

Coalesce: "Dead is Dead"
Coalesce: "Dead is Dead"

Busdriver: Jhelli Beam (Anti-)

Delivering his rhymes in a melodic, fast-talking, pinched-nose intonation, Regan Farquhar can be compared to few contemporaries.  And after a recent collaboration with jazz-rock group Kneebody, fans could have predicted another dose of indescribable idiosyncrasy on this, his newest full-length.

With beat/producing assistance from Daedelus and a host of others, Jhelli Beam winds through piano melodies, famous classical samples, synthesized dance grooves, and electronic hip hop.  And though the disc name drops everyone from Michael Richards to Idi Amin, Busdriver can be enjoyed without picking up one full sentence.

The Horse's Ha: Of the Cathmawr Yards (Hidden Agenda)

Layered over a mellow folk backdrop with country undertones, The Horse's Ha pairs the complementary vocals of James Elkington (The Zincs) with Janet Beveridge Bean (Freakwater).

The group also features the lofty talents of cellist Fred Lonberg-Holm (Vandermark 5), drummer Charles Rumback (Colorlist, Leaves), and bassist Nick Macri (Jeremy Enigk).  Though The Horse's Ha has been around since '02, this is its debut disc — a pretty, laidback affair that doesn't break any molds but will be enjoyed by those who dig the vocals.

The Horse's Ha: "The Piss Choir"
The Horse\'s Ha: \"The Piss Choir"

Stian Westerhus: Galore (The Last Record Co. / Rune Grammofon)

A presiding member of Jaga Jazzist, Monolithic, Puma, and a handful of other endeavors, Norwegian guitarist Stian Westerhus has expanded his scope and influence over the past decade in the Scandinavian Peninsula.

Limited to 500 copies, this vinyl-only release finds Westerhus partaking in noisy, effected meanderings. Experimental listeners and vinyl fanatics should be into this one.

Diamond Watch Wrists

Each maintaining a busy 2009, Guillermo Scott Herren (Prefuse 73, Savath & Savalas) and Zach Hill (Hella, Bygones) join forces to create Diamond Watch Wrists, a project that holds elements of each artist but sounds unlike what one might imagine their collaboration to be.

Like Hill's 2008 solo record, Ice Capped at Both Ends is very much a pop record, for as unconventional as both records may be.  Reverberated, multi-layered vocals guide each track, similarly to Savath & Savalas, and Hill's beats are as focused and straightforward as they've been in a while.  Effects and ambiance hold important roles, but Herren's electronic Prefuse work essentially is a nonfactor here.

Given the impending release of the next Savath & Savalas release, it's an interesting time to release Ice Capped at Both Ends, but at first glimpse, the S&S disc contains more elements of Herren's initimable work as Prefuse 73.  It seems that we've entered an impressive stretch of Herren's creative legacy.

Themselves: theFREEhoudini (Anticon)

After a seven-year hiatus, Anticon hip-hop duo Themselves (Doseone and Jel) has returned with this free (for 90 days) "mixtape."  Consisting of one 39-minute track, the release serves as a self-remixed album and teaser for the duo's third full-length album, CrownsDown, due in August.

Doseone's nasally delivery is as aggressive as ever, presenting less of the high-pitched anti-raps from his work in Subtle. Jel's breakbeats carry the well-balanced mix, and hip-hop bedfellows Aesop Rock, Slug, Busdriver, and Yoni Wolf make well-placed appearances.  Like the duo's respective careers, theFREEhoudini is a compelling, original endeavor.

Soap&Skin: Lovetune for Vacuum (PIAS)

Austrian singer, songwriter, multi-instrumentalist, and actress Anja Franziska Plaschg holds musical ability and power that is stunning for her age of 18.

On Lovetune for Vacuum, Plaschg's debut album, powerful, melancholy harmonies pour out of her throat and piano in contrast to softer, somber exchanges.  Vocal overdubs, pounding low keys, ominous sample, and bits of violin and electronics augment the main melodies as Plaschg channels influences from Bjork, Aphex Twin, and Sergei Rachmaninoff.  Prepare to hear a lot about Plaschg in the coming years.

Soap&Skin: "The Sun"
Soap&Skin: \"The Sun\"

Nadja: When I See the Sun Always Shines on TV (The End)

This interesting cover EP continues a highly prolific streak for Canadian heavy/ambient duo Nadja, which has a pair of upcoming albums due later in 2009 — one of which is a double release.

Foreseeable innovators like My Bloody Valentine and Swans are covered in baths of fuzz, feedback, and synthesizers, but less-predictable favorites such as Slayer, The Cure, Elliot Smith, and A-Ha also are turned on their heads.  Preexisting fans of Nadja and electro-noise dirge enthusiasts should both greatly enjoy this one.

Corey Wilkes & Abstrakt Pulse: Cries from tha Ghetto (Pi)

Trumpeter Corey Wilkes' debut album as a bandleader, Drop It, was released just 10 months ago on storied jazz/blues label Delmark Records.  The funky debut contained quirky soul jazz with moments of extended solos and improvisation, but Wilkes digs back to a bebop-fueled sound for this new release with his group Abstrakt Pulse.

Featuring the reed work of Kevin Nabors and the exemplary melodic guitar licks of Scott Hesse, the sextet fuses some 1960s Blue Note-era jazz with the freeform influence of Lester Bowie, a lauded experimentalist whose seat Wilkes filled for the Art Ensemble of Chicago.  The fusion on Cries from tha Ghetto isn't smashing any boundaries, but its execution is top notch.  Highly recommended for jazz heads.

Corey Wilkes & Abstrakt Pulse: "Visionary of an Abstrakt"
Corey Wilkes & Abstrakt Pulse: \"Visionary of an Abstrakt\"

One Day as a Lion, the hip-hop/rock duo of Zach de la Rocha and Jon Theodore, has posted a video for its successful single, "Wild International."

The inexhaustible Zach Hill has another new project, this one with Zac Nelson.  The duo's harmonic weirdness is called Chll Pll and will be released this year on Porter Records.

Omar Rodriguez Lopez, a musician as tireless as Zach Hill (and also a collaborator with him), has finished another new album for The Mars Volta.  The album, titled Octahedron, will be released on June 19.

Hardcore punks Trash Talk have a new EP, East of Eden, that can be heard here.  The band recently began a month-long US tour with The Bronx.

Kayo Dot will record a new album this summer with engineer Randall Dunn (Secret Chiefs 3, Grails).  The group will tour in June and July and later release the album on Hydra Head.

On Tuesday in Seattle, as part of Tom Morello's Justice Tour, three-quarters of Soundgarden — Kim Thayil, Matt Cameron, and Ben Shepherd — played three Soundgarden songs with Morello as the second guitarist and Tad Doyle (of TAD) handling the vocals.  The vocals aren't pretty and the footage isn't great…but the whole thing is pretty awesome.

Kid Koala's Slew album is finished and looking at a late summer release.  In the meantime, he's producing an album for songwriter Terence Bernardo.

Tool will tour the US this summer, though dates are unannounced at this point.  Chicago Tribune rock critic Greg Kot has reported rumors of the band headlining Lollapalooza.

Pressing forward for another album with its original lineup, Dinosaur Jr. will release Farm on June 23 via Jagjaguwar.

Yoshida Brothers, a Japanese shamisen duo, will tour the US West Coast for a spell in May before playing a pair of dates in British Columbia.

Busdriver and Tim Fite, both peculiar performers, will perform at the Natural History Museum of Los Angeles County on April 3.

Looking for constant updates about the Faith No More reunion?  Check out this handy blog.

Greenleaf Music is now streaming its entire front-line catalog at its online store.

Busdriver will release a new album, Jhelli Beam, via Anti- on June 9, dropping his tireless flow over a disc full of classical, jazz, Bollywood, and prog-rock samples.

Norwegian prog/jazz/metal group Shining currently has a chopped-up preview of its forthcoming album, slated for release on Rune Grammofon on October 12, posted on its MySpace page.

In an interview with BBC, Warp Records founder Steve Beckett says that a new Aphex Twin album definitely is on the way, possibly sometime this year.  The last Aphex Twin studio album, Drukqs, was released in 2001.

Stoner/doom duo Om has signed to Drag City, which will release its new, currently untitled album on September 8.  The album is being recorded by Steve Albini at his Electrical Audio studio.

Melodic metal instrumentalists Russian Circles will debut new material during a two-week US tour in late April, after which they will return to the studio to record a follow-up to 2008 album Station, due in October or November on Suicide Squeeze.

Converge has posted a brief preview video of a song from its upcoming album, out later this year on Epitaph/Deathwish.

Both this weekend and next weekend, guitarist/vocalist Nils Frykdahl of Sleepytime Gorilla Museum will provide musical accompaniment for Twobird, a performance-art piece in Berkely by Michael McCamish.

Tonight is the first UK performance by The Fear, a new project from Leo and Milo Smee, the founders of funk/prog/metal collective Chrome Hoof.  The duo performs with drums, bass, synths, and samples.