DC the MIDI Alien: Avengers Airwaves (Brick Records, 2/15/11)

DC the MIDI Alien: "National Threat"

During his 10 years of deejaying, DC the MIDI Alien has racked up an impressive résumé. He’s worked with Immortal Technique, AZ, and Wordsworth as well as remixed Nas and others. In 2008, he formed the group East Coast Avengers with MCs Esoteric and trademarc, and their gritty, politically charged debut Prison Planet garnered them national media attention with its lead single, “Kill Bill O’Reilly.” DC returns this February with a semi-solo LP, Avengers Airwaves, which further cements him as a force to be reckoned with in the hip-hop world.

DC produces the record and brings in a gaggle of rappers to provide the rhymes — from his East Coast Avengers bandmates to Jedi Mind Tricks’ Vinnie Paz and DJ Premier acolyte Termanology. DC’s production style is decidedly old-school: the songs are built on steady, mid-tempo drum beats with only a few looped samples. Standout track “Man Made Ways” exemplifies DC’s old-school skill — an echoing, droning organ loop creates an atmosphere of paranoia and foreboding, punctuated by bursts of loud, crunching guitar. The production doesn’t falter throughout, recalling early RZA with DC's ability to create maximum effect with minimalist beats. Although DC doesn’t speak a word on the record aside from skits, the album has every right to bear his name on the cover.

The album’s concept is that DC and company have hijacked the radio station of a Rush Limbaugh-type in a mission to wake up the minds of the people. In essence, this gives a framing device for unashamedly political lyrics, and this album delivers them in bulk. The first non-skit track’s reference to Public Enemy makes it clear that DC and the Avengers want to take up that group’s mantle of hip hop’s foremost political agitators, and, for the most part, they succeed.

It was easy to think that left-wing commentators would miss having such an easy target as George W. Bush after he left office, but fortunately (or unfortunately), there’s still much to complain about. Check the line “It’s over, America voted for Obama, but the change hasn’t hit my hood yet, 'cause I’ve still got drama,” from “Riot Gear” to see the album’s pervasive theme of dissatisfaction and disillusionment with the man that many hoped would lead America back to prominence.

Trademarc gives one of the album’s best verses on “Another Hundred Days In,” which offers surprisingly specific criticisms of Obama and the media, while also delivering impressive internal rhymes and imaginative wordplay: "Hope’s just a four-letter word / it’s a verb that some hippie turned upside down and back around to a proper noun / it’s absurd, blurred by Wikipedia, slurred by wicked media clowns while news revised and rewritten / surprised when we listen, news anchors so smitten when the president talks of new anchors hitting bottom off Middle Eastern borders in neutral waters."

Some verses are relative duds, offering generalized anti-authority statements, like Blaq Poet’s “You can’t trust the government / what happened to the weapons of mass destruction? / We bombed Saddam for nothing, they tried to blame him for 9/11 / thousands of souls sent to heaven,” from “Pawns and Rooks.” Moments like these could be much improved with the addition of specific insight beyond restatement of historical events, but fortunately, verses like this are scarce on Avengers Airwaves.

Strangely, for all of the album’s political themes, there is little offered in the way of a solution. The lyrics paint vivid pictures of the problems facing America, and expose the un-trustworthiness of the government, but say nothing about what the listener should do about it, rather than “wake up.” It’s not necessarily the responsibility of art to tell people how to live, but the overtly didactic and topical lyrics on Avengers Airwaves show that DC and his coterie aren’t afraid to proselytize. Had the lyrics gone one step further and given some real shape to the so-called “revolution” that DC wants to invoke, the album’s message would be that much stronger. But really, with an album full of beats and rhymes this solid, a complaint like that is easily forgotten.

Mogwai: Hardcore Will Never Die, But You Will (Sub Pop)

Mogwai: "Rano Pano"

Mogwai, everyone’s favorite Glaswegian post-rock quintet, recently celebrated 15 years together, and during that span, its nearly unaltered lineup has been as consistent as its mid-tempo rock instrumentals. The band’s sound has changed along the way, including intermittent vocal activity, but by and large, fans know what to expect: reverberated guitar melodies, glimmering keyboard lines, steady beats, and lots of fuzz.

Along the way, the band has shifted a bit from hypnotic, repetitive guitar lines to have songs with more conventional rock leads, and a prime example is “How to Be a Werewolf” from its seventh and newest full-length album, Hardcore Will Never Die, But You Will. Still, nothing here will take listeners by surprise. It’s another 10 tracks of roughly five-minute instrumentals, with a smattering of highlights – a ghostly guitar/keyboard line in triplicate, an upbeat rock track with a half-time breakdown, and a sunny yet sludgy bass melody.

Mophono: Cut Form Crush LP (CB Records)

Mophono: "Be Human Part One"

Another of the up-and-coming DJs/producers from San Francisco’s beat scene, Mophono (also known as DJ Centipede) has just released a neck-breaking full-length debut called Cut Form Crush.  It follows a handful of EPs and remixes that were scattered over the past six years, but outside of beat junkies, it likely is an introduction for most listeners.

Released on Mophono’s own CB Records, Cut Form Crush is an LP/digital-only release where Moog bleeps meet hard hip-hop beats, jazzy fills, heavy funk cuts, and fanatical synth hooks.  Though it features guest spots by Flying Lotus and MC Subverse, Mophono does all of the heavy lifting, splicing samples over boom-bap beats and spacey dubstep passages.

Shawn Lee's Ping Pong Orchestra: World of Funk (Ubiquity)

Shawn Lee's Ping Pong Orchestra: "Cairo Cairo"

A super-prolific and accomplished multi-instrumentalist, Shawn Lee has made a career of splicing disparate styles over his foundation of funk, soul, R&B, and more.  Now, just two months after the release of a dub-, funk-, and rock-infused album of classical covers, Lee’s Ping Pong Orchestra is back with a world-driven collection of exceptionally funky jams.  It’s not old-school funk, of course, but a similar brand of Lee’s multifarious style – hip-hop and down-tempo beats, grooves galore, and layers upon layers of sounds.

Like usual, Lee employs a small music shop’s worth of instruments to achieve his diversity, this time tabbing sitar, kalimba, charango, bouzouki, tambura, steel drum, castanets, udu, and balafon among other choices.  It helps World of Funk make virtual visits to India, Egypt, the Mediterranean, and many other locales while adding Ethio-jazz, Latin psychedelia, and Eastern funk.  Guest singers also help to establish the global vibes, including some with Brazilian, Egyptian, and Cambodian heritage, with the latter coming from Dengue Fever frontwoman Chhom Nimol.

And with additional guest spots by mysterious beat-smith Clutchy Hopkins, multi-talented bandleader Michael Leonhart, and NOMO songwriter Elliot Bergman, World of Funk is a bona-fide melting pot of talent.

Total Fucking Destruction: Haters (Translation Loss)

Total Fucking Destruction: "Time Theft"

Formed after the first demise of Brutal Truth, Total Fucking Destruction has spent more than a decade presenting themes of nihilism, annihilation, and nonsense over grind, thrash, and punk rock.  Led by drummer/vocalist Richard Hoak of Brutal Truth, the band exists as a mocking assault on the global power structure, the inhumanity of homo sapiens, and mindless consumption.

Musically and vocally, the band has a very defiant vibe, and its new album, Hater, is no different.  There’s a punk-rock flair with overdubbed growls and gang vocals, and there’s the usual dose of rock-'n'-roll riffage, but the base of blast beats, double kick, and power chords remains the same.  Unlike a lot of grind bands, Total Fucking Destruction has plenty of tempo shifts, and though Hater isn’t as off the wall as previous albums have been, it might be the band’s most polished and cohesive release.

Sims: Bad Time Zoo (Doomtree)

Sims: "Burn It Down"

Headlined by Rhymesayers recording artist P.O.S, Minneapolis hip-hop collective Doomtree has some up-front name recognition but also a roster full of talent.  That includes Andrew Sims, an MC and early member of Doomtree who has done his part to help cultivate independent rap.

Bad Time Zoo is Sims’ second and newest solo album, produced by Doomtree associate and DJ Lazerbeak.  There’s enough sociopolitical content – including the call to action of “One-Dimensional Man” – but there are personal themes along the way, such as the unabashed balladry of “Love My Girl” and “When It Rolls In.”

With horn, piano, and guitar samples, double-time hi-hats, and thumping bass and synth hits, Bad Time Zoo sets a head-nodding foundation for Sims’ steady (and often doubled) delivery.  P.O.S drops a guest verse on “Too Much,” but this is far from another group effort, standing on its own as Sims continues to define his style.

Shugo Tokumaru: Port Entropy (Polyvinyl)

Shugo Tokumaru: "Lahaha"

Port Entropy is the latest full-length from Shugo Tokumaru, a Japanese singer, songwriter, and multi-instrumentalist who performs or produces every sound on his records.  It’s his first US release on Polyvinyl Records, but Tokumaru has already achieved considerable commercial success in his native nation and abroad, including TV ads and a spot in the Japanese top 40.

With self-professed influences of the Beatles, the Beach Boys, and Japanese pop, Tokumaru wields an array of sounds behind his cheery, airy, harmonized vocals.  Guitar, glockenspiel, flute, banjo, and homemade percussion are just a handful of what one hears on an average album.  Some may feel overwhelmed by the layer upon layer of major-chord melody, but Port Entropy is another golden nugget of sunshine pop, with chops that aren’t too shabby either.

Honorable Mentions

Arbouretum: The Gathering (Thrill Jockey)

Beaten by Them: Invisible Origins (Logicpole)

Bright Eyes: The People's Key (Saddle Creek)

DC the MIDI Alien: Avengers Airwaves (Brick)

Elk: Let’s Get Married (Shape Up)

The Eternals: Approaching the Energy Field (Plustapes / Addenda)

PJ Harvey: Let England Shake (Vagrant)

Tim Hecker: Ravedeath, 1972 (Kranky)

The Natural Yogurt Band: Tuck in With… (Now-Again)

Austin Peralta: Endless Planets (Brainfeeder)

Phaedra: The Sea (Rune Grammofon)

La Sera: s/t (Hardly Art)

The Skull Defekts: Peer Amid (Thrill Jockey)

Win Win: s/t (Vice)

The outspoken trio gained national notoriety a few months back upon the release of its first single, "Kill Bill O'Reilly," which landed it a spot on the "Worst Person in the World" segment of Countdown with Keith Olbermann.

The group's debut album, Prison Planet (Brick Records), is buoyed by the tight rhymes and informed sociopolitical lyrics of Trademarc and Esoteric, but it is built around DC's outstanding production — symphonic samples, stirring Romantic violin melodies, portentous soundtrack clips, and head-nodding beats.

Online editor Scott Morrow caught up with ECA just before this week's historic election, asking its three members their thoughts on the current political landscape.

East Coast Avengers: "Kill Bill O'Reilly"
East Coast Avengers: \"Kill Bill O\'Reilly\"

How difficult is it to get a political message out through music these days when entities like Clear Channel and News Corp control so much? Do you need a song title as provocative as "Kill Bill O'Reilly" to get noticed in mainstream press?

Esoteric: Yes, you do. We have all covered political topics in the past; we have all taken shots at Fox News and the religious right. With the exception of our core hip-hop fan base and some tuned-in people on the left, these songs/attacks/educations have been all but ignored.

The word "kill" scares the shit out of those who can't think critically and causes uproar; the uproar then captures attention. We want to help expose Fox, and in order to reach and cure their zombies, these are the tactics that you have to employ.

We need to raise awareness among the sleepwalkers, those who don't see past the hearsay and propaganda. It is very tough to reach a massive audience, but "Kill Bill O'Reilly" spread before the Internet outlets that News Corp owns were able to shut it down.

The September 11th tragedy helped Bush's approval rating so much that many intelligent, questioning people suspect that it was the classic "Problem Reaction Solution" tactic from the US government.

Given the success of the right wing's war on education (and deregulation of media ownership), do you have hope that a left-leaning administration and legislative branch would change the landscape of an apathetic and uninformed citizenry?

Trademarc: I don't really buy into the whole right-wing/left-wing battle as much as everyone else. I believe that the second that people separate themselves and categorize themselves, they in turn grow intolerant of any ideas or goals of the other side, no matter how relevant or positive those ideas and goals may be.

I have family members and friends that refuse to listen to me because I don't fall into either category, so I'm seen as a "waffler" or an anarchist. The whole point of a party system is to divide individuals and strip the public of their power. The government uses this partisanship to divide and conquer.

Now in relation to the question of an informed and apathetic citizenry: why would the government want its people informed? In the words of the great journalist I.F. Stone, "governments lie." It's what they do. I just hope that people get fed up in time and instead of growing helpless and apathetic, decide to fight back by informing themselves and take their power back.

I want to hand out a copy of Naomi Wolf's book Give Me Liberty: A Handbook For American Revolutionaries to everybody that I possibly can, and challenge contemporary artists and citizens alike to start making a move toward raising awareness. For the record, I'm writing in Ron Paul for president on my ballot.

How deep do you think that this country's obsession with war and silencing dissent runs? Do you feel that our culture of war and covert operations will continue no matter who is in charge?

DC: This country's obsession with war runs very deep. George W. Bush's victory in the 2004 election was dependent on war and the fearful reaction of the American people. The "War on Terror" and "Axis of Evil" are just two of the many government-created terms that Americans have since made household phrases.

In fact, the September 11th tragedy helped Bush's approval rating so much that many intelligent, questioning people suspect that it was the classic "Problem Reaction Solution" tactic from the US government.

For those who don't know what that is, it's a three-step method in which the government manufactures a crisis and blames it on someone who they want to demonize, intentionally invoking a reaction of fear from the public that usually consists of asking the government for help and forfeiting their rights.

This sets up the government to offer their "solution," which was the goal before the initial crisis occurred. Getting the American people to give up their rights so easily with the PATRIOT Act and getting them to support a war based on lies was their goal from day one. Unfortunately, they succeeded, and the joke's on us.

The "Mission Accomplished" announcement came and went. Four thousand American casualties and 30,000 more wounded later, and we're still over there, and we're still being betrayed by this administration.

That's why whenever I see a "these colors don't run" or "support our troops" bumper sticker, I just pity that person so much. I even saw one the other day that read "proud infidel" right next to a "Bush/Cheney '04" sticker. Poor chump. He probably thinks that those guys actually give a shit about him and his family. Maybe one day Bush, [Dick] Cheney, and [Donald] Rumsfield will be tried for war crimes, but until then, the joke's on us.