If you missed it last week, check out ALARM's list of 100 Unheralded Albums from 2010.

Ghostface Killah: Apollo Kids (Def Jam)

Ghostface Killah: "2getha Baby"

Just one of the seemingly endless number of MCs from the Wu-Tang Clan, Ghostface Killah has served as executive producer of many Wu releases, and he’s also had one of the busiest solo careers of all the members.  For his own material, his coarse vocal style has meshed with a more-soulful style, and it’s that combination of edginess and accessibility that has furthered his success.

Apollo Kids is his ninth studio album and first of three new albums in the works.  It’s another hard but funky mix with assorted production, including a track by Pete Rock, one by Jake One, and a few by Frank Dukes.  Naturally, there are plenty of guest spots from the Wu crew, with appearances by GZA, Cappadonna, Raekwon, and Method Man, and there other big-name cameos by Busta Rhymes, Joell Ortiz, and Black Thought.

The production is on point, but it’s really unfortunate that many verses fall back into the homophobic and misogynistic stereotypes of gangster rap.  Hopefully, his anticipated collaboration with MF Doom, called Swift & Changeable, won’t fall victim to the same trappings.

Royal Thunder: s/t EP (Relapse)

Royal Thunder: "Hotel Bend"

Royal Thunder is an Atlanta trio that mixes together elements of classic rock, psych rock, and garage rock – as well as the slight metal influence of other presently prominent Georgian bands.  Late last year, the group self-released and recorded a self-titled EP that, at 33 minutes, doesn’t run much shorter than a lot of contemporary “long players.”  Now the EP is being re-released through Relapse, exposing it to a much wider audience.

The music works but is sort of standard issue, so for the time being, the main draw is the elongated, overdubbed vocals of bassist Miny Parsonz.  Her parts on the song “Hotel Bend” could be transposed into an indie or pop song with negligible difference, and it’s nice to hear that vocal style succeed with a harder brand of rock.  The band is working on a full-length for an expected 2011 release, and with that, perhaps we’ll hear Royal Thunder really come into its own.

As usual, ALARM leaves no genre unexplored in our list of this year's overlooked gems.

Sigh: Scenes from Hell (The End, 1/19/10)

Sigh: "The Summer Funeral"

With a history of fusing other revered genres to a doomy combination of black metal and thrash, Japan's Sigh used its eighth studio album to deliver symphonic, epic metal that calls upon classical instrumentation to top its rock foundation.

Brass, woodwind, and string instruments — as well as organ and piano — accent as well as lead sinister melodies that take surprising turns through fanciful themes. Raspy, menacing vocals coat each track, resulting in a dramatic presentation that isn't much at odds with its complex backdrop.

RJD2: The Colossus (RJ’s Electrical Connections, 1/19/10)

RJD2: "Games You Can Win"

Following a divisive album that saw the introduction of poppy, soulful vocals, producer RJD2 returned with something of a split release — an album that leaves no shortage of accessible, vocal-driven tunes but that emphasizes some inventive instrumentals.  Whether or not you dig the soulful RJ, there's no doubt that the music on The Colossus is some of his best to date.

Chicago Underground Duo: Boca Negra (Thrill Jockey, 1/26/10)

Chicago Underground Duo: "Spy on the Floor"

For 15 years, the Chicago Underground Duo (and Trio, Quartet, and Orchestra) has been an avant-garde jazz outlet for prolific Chicago musicians Rob Mazurek (Exploding Star Orchestra, Isotope 217) and Chad Taylor.  Boca Negra is an interesting dichotomy, as spiraling vociferation leads to upbeat grooves, shifting piano chords, harmonic electronics, and ambient samples.

Algernon: Ghost Surveillance (Cuneiform, 1/26/10)

Algernon: "Broken Lady"

The brainchild of guitarist Dave Miller, Algernon walks a thin line between melodically driven post-rock and instrumental unconventionality.  Ghost Surveillance places greater emphasis on synthesizers and sprawling song structures, but at its core is the combination of accessibility and technicality that has defined Miller's style. Noisy, circular rock riffs transform to tranquil, wandering passages. "Timekiller," the album's fourth track, is a beautiful, buoyant number — and one of the band's best creations to date.

Bei Bei & Shawn Lee: Into the Wind (Ubiquity, 1/26/10)

Bei Bei & Shawn Lee: "East"

In the hands of a marvel, the guzheng — a gorgeous Chinese zither — resonates with tactile beauty as its many strings are plucked with precision.

Bei Bei, a native of Chengdu, China, is one such musical technician. And this collaboration with Shawn Lee, a prolific producer who can man as many genres as he sees fit, is undoubtedly one of the year's finest albums.  Together, the two use Into the Wind to navigate through funky down-tempo jams, Kung-Fu flavor, hip hop, soul, and driving grooves.

Daníel Bjarnason: Processions (Bedroom Community, 2/1/10)

Daníel Bjarnason: "Bow to String I: Sorrow Conquers Happiness"

Best known as a conductor and arranger for indie groups such as Sigur Rós, composer Daníel Bjarnason also holds a lofty classical résumé. Processions, his proper debut, is, at many points, a challenging classical work.  Powerful cellos scale and race with crackling percussions before settling into gently bowed and pizzicato string accompaniments; easily half a dozen strings battle for dominance in a sorrowful, harmonic piece that resonates long after hearing it.  Undoubtedly, Processions is a daring and original debut.

Shining: Blackjazz (Indie Recordings / Distribution, 2/2/10)

Shining: "Fisheye"

Beginning as an experimental acoustic jazz ensemble, Norway's Shining — the brainchild of saxophonist Jørgen Munkeby — transformed to a progressive jazz-fusion outfit before delving into its darker side for a collaboration with black-metallists Enslaved.

Blackjazz pushes deeper into the band's dark recesses, forging a progressive industrial sound for the young century.  Big, complex rock riffs, twisted through gnarly distortion, form the foundation and support a mass of frantic, whirring synth lines and gut-wrenching black-metal screams.  In all, Blackjazz is a new epic — and perhaps the best metal album of 2010.

Pillars and Tongues: Lay of Pilgrim Park, LP + download (Endless Nest, 2/9/10)

Pillars and Tongues: "The Center of"

With just three members, Pillars and Tongues manages to craft powerful folk abstractions and interwoven, trance-inducing vocal dynamics. Both composed and improvisational, these shifting forms evoke spiritual vibes in their soulful essence, heavenly harmonies, and repeated patterns.

Dessa: A Badly Broken Code (Doomtree, 2/9/10)

Dessa: "Dixon's Girl"

The only female member of Minneapolis hip-hop collective Doomtree, Dessa is a spoken-word vocalist, singer, and MC whose awaited full-length was finally released earlier this year.

On A Badly Broken Code, her true solo debut, Dessa's vocal diversity is matched by its underlying music, ranging from hard-hitting beats and rhymes to lilting harmonic overdubs.

The Bastard Noise / The Endless Blockade: The Red List (20 Buck Spin, 2/16/10)

The Bastard Noise: "Mutant World of Shame / Underworld"

A spinoff of treasured "power-violence" hardcore group Man is the Bastard, The Bastard Noise is approaching its 20th anniversary of creating noisy electro-doom brutality.  For this split release with hardcore/punk experimentalists The Endless Blockade, the group utilizes the trademark drum-and-bass style of Man is the Bastard in combination with its far-out sounds.  The Endless Blockade contributes three tracks to the release — one 14-minute epic and two avant-garde remixes.

Freeway & Jake One: The Stimulus Package (Rhymesayers, 2/16/10)

Freeway & Jake One: "Know What I Mean"

Continuing his life after Roc-A-Fella Records, former freestyle star Freeway now makes his debut on Rhymesayers, a fitting new home — if only temporary before a move to Cash Money.  Fellow Rhymesayers standout Jake One provides a funky, malleable backdrop for Freeway's fiery delivery and lyrics that are alternately personal and light in content. And though Freeway deserves his accolades, Jake One's production is the MVP of this collaboration.

Carolina Chocolate Drops: Genuine Negro Jig (Nonesuch, 2/16/10)

Carolina Chocolate Drops: "Hit 'Em Up Style" (Blu Cantrell)

Beholden to the traditions of Americana and early African-American folk, the string trio Carolina Chocolate Drops continues blurring the lines of old and new. On Genuine Negro Jig, the group's fifth album, a few original numbers and a trove of traditionals take root in banjo, fiddle, and percussion. Three-part harmonies shimmer on the famous folk tune "Trouble in Your Mind," and simplicity shines on gripping renditions of "Why Don't You Do Right?" by Kansas Joe McCoy and "Trampled Rose" by Tom Waits.  Most surprisingly, Genuine Negro Jig includes an enjoyable rendition of "Hit 'Em Up Style," an unintentionally farcical pop hit by Blu Cantrell.

Mako Sica: Dual Horizon LP (La Société Expéditionnaire, 2/16/10)

Mako Sica: "I'Itoi"

A translation of the phrase "land bad," Mako Sica has more than a nominal Native American influence; the trio's distant vocal reverberations and dirge-inspired tunes recall the spirituality of America's original inhabitants.

Between the vocalizations of Brent Fuscaldo, the melodies of guitarist Przemyslaw Krys Drazek, and the rhythms of drummer Michael J. Kendrick, Mako Sica maintains a strong balance of abilities — with a brooding combination of jangly guitars, reverberated vociferation, and instrumental dynamics.

High on Fire: Snakes for the Divine (E1 Music, 2/23/10)

High on Fire: "Snakes for the Divine"

Stoner-metal trio High on Fire has built a devoted following over the past dozen years as fans fell in love with Matt Pike's gruff vocals and thunderous guitar riffs. On Snakes for the Divine, Pike uses his throat to channel Lemmy Kilmister; meanwhile, the band has picked up its pace and crafted an album that isn’t as outstretched. Hard-hitting riffery leads an effort that, though diverse at times, may be the band’s most driving release.

Jaga Jazzist: One-Armed Bandit (Ninja Tune, 2/23/10)

Jaga Jazzist: "One-Armed Bandit"

Five years have passed since we've heard the powerhouse melodies of Norway's Jaga Jazzist, the post-rock/"nü-jazz" conception of brothers Lars and Martin Horntveth.

One-Armed Bandit, immediately the group's best album, resembles symphonic prog rock, arguably a few steps removed from parts of Frank Zappa's expansive catalog and closer to countryman Jono El Grande's diverse and theatrical style.  This album, however, is much more cohesive than either of those comparisons suggest, and at times it is nearly overwhelming with grooves and harmonious refrains.

Rob Swift: The Architect (Ipecac, 2/23/10)

Rob Swift: "The Architect"

Turntablist/DJ Robert Aguilar, formerly of the X-ecutioners, has long utilized his love of jazz, R&B, and other musical movements to create compelling hip-hop instrumentals while displaying his tight beat-juggling skills.

The Architect is Swift’s foray into the classical world. In addition to a multitude of sampled styles and sounds, classical cuts comprise a substantial chunk of this Ipecac debut. Rearranged strings, organ, and horns often make the foundation of a given track, occasionally evoking high-tension Italian Westerns, as Swift’s scratches dance atop banging beats.

Rotting Christ: Aealo (Season of Mist, 2/23/10)

Rotting Christ: "Aealo"

For more than 20 years, Athens' Rotting Christ has traversed different directions on the metal path.  With its previous release, Theogonia, the group released a striking, original album that fused its dark sound to the ethnic sounds of its ancestors.

Like its predecessor, Aealo features female Benedictine chants, lingual pipes, and a medieval feel. Combined with dueling high-pitched harmonies and powerful guitar work, these new elements highlight an album that should be among the most original metal releases of the year.

Ali Farka Touré & Toumani Diabaté: Ali and Toumani (Nonesuch, 2/23/10)

Ali Farka Touré & Toumani Diabaté: "Ruby"

As two of Africa's most internationally renowned musicians, guitar legend Ali Farka Touré and kora phenom Toumani Diabaté have displayed impeccable abilities while integrating the styles of other cultures into their ethnic sounds.

Each Malian, the two collaborated for the acclaimed In the Heart of the Moon in 2005, shortly before Farka Touré's passing in 2006. Fortunately, the two set aside time to record new material before touring for In the Heart of the Moon, and the result is another beautiful set of duets that sees a posthumous release.

Throughout Ali and Toumani, Farka Touré roots each creation in melodious African-blues pieces. Diabaté's virtuosity accents each track in the form of fanciful scales, which at times evoke classical harpsichord passages, perhaps most notably on "Sabu Yerkoy."

Fang Island: s/t (Sargent House, 2/23/10)

Fang Island: "Sideswiper"

Mostly comprised of ex-Daughters, the good-time rock quintet Fang Island was one of the most quickly ascending bands of 2010, jumping onto tours with The Flaming Lips and Stone Temple Pilots following the release of its first full-length album.

The self-titled release is chock full of palm-muted and speed-infused indie-prog anthems, with über-layered vocal harmonies to go with a triple-thick guitar assault and distorted-bass bludgeoning.  It's one of those rare releases that feels absolutely radiant and thrashing at the same time.

B. Dolan: Fallen House, Sunken City (Strange Famous, 3/2/10)

B. Dolan: "The Reptilian Agenda"

Going way back with Sage Francis, rapper B. Dolan is a like-minded MC and slam poet whose style isn't terribly dissimilar to that of his long-time friend. Fallen House, Sunken City is Dolan's second full-length for Strange Famous, and it's full of the sociopolitical themes (if often in quick blasts or asides) and contentious delivery for which he's known.

In addition to some seemingly personal lyrics, Dolan takes passing shots at big business, taxation, the pharmaceutical industry, the concept of ownership of natural resources, the Israeli razing of Palestinian developments, and, among many other things, the so-called New World Order — dropping clips of Dick Cheney and George H.W. Bush in "The Reptilian Agenda."  On top of Dolan's socially conscious rhymes, A-list production by Alias makes this one of the year's top hip-hop releases.

Archie Bronson Outfit: Coconut (Domino, 3/2/10)

Archie Bronson Outfit: "Shark's Tooth"
Archie Bronson Outfit: "Shark's Tooth"

With its warbled vocals and driving percussion, British psych-rock trio Archie Bronson Outfit is like a more adventurous Wolf Parade — as comfortable burning up the dance floor with clean, bouncy riffs as it is turning up the reverb and rocking in a garage.

Coconut is the band's first LP in nearly four years, and it kicks off with a crunchy, swirling guitar line and a hypnotic bongo-laden beat. Produced by DFA's Tim Goldsworthy, Coconut gets spaced-out and drone-like at times, but it always offers a hint of pop accessibility amidst the static and haze.

Began as a sci-fi soundtrack for a project that fell apart, Thing is Trans Am's most ambitious — and greatest — album to date.

The trio's spacey synth rock is at its most dynamic and dramatic, and its jestful elements are all absent again. Infused with more Goblin or John Carpenter influences, Thing is darker than anything else Trans Am has done, but it never loses its head-banging MO.

Drummer Sebastian Thomson acts as a no-nonsense beat machine that drives squiggly and sometimes sinister sounds, and multi-instrumentalists Philip Manley and Nathan Means serve as conduits to otherworldly vibes. Thing marks a milestone for Trans Am and hopefully portends sounds to come.

Trans Am: "Heaven's Gate"
Trans Am: \"Heaven\'s Gate\"

Nedry: Condors (Monotreme)

With its debut full-length, London's Nedry presents a level of craftsmanship that can take bands a decade to achieve.

A buzzing, semi-glitched electro base — with amorphous, synthesized bass lines — is accented by alternately canorous and distorted guitars. High-voltage drum-and-bass trades with careful balances of electro-acoustic indie elements.

And this is all before mentioning the head-turning vocals of Ayu Okakita, who draws rightful comparisons to Bjork throughout Condors. Her breathy delivery could use development into more of its own style, but any way that you slice it, this is one hell of a freshman effort.

Nedry: "A42"
Nedry: \"A42\"

Michael Leonhart & The Avramina 7: Seahorse & The Storyteller (Truth & Soul)

The biography of Michael Leonhart reads like a wünderkind's ascension to power, with multiple Grammy awards and appearances on more than 100 albums. His list of associated recordings and performances is both arresting and bizarre, featuring names like Bill Frisell, Brian Eno, and DJ Spooky alongside Lenny Kravitz, Bobby McFerrin, and Steven Tyler.

His latest solo album contains elements of so many genres that it's hard to keep count. Chiefly, Seahorse & The Storyteller might best be termed indie acid funk — a style that's both heavy and dreamy, jazzy and moody. Swells of strings, tinkling percussion, haunting female vocals, toy pianos, and wandering, echoing horn solos complement a steady dose of brass grooves and high-register singing. Tablas, sitars, and other Eastern instruments show up as well.

This stunning combination should appeal to fans of Shawn Lee and Ben Perowsky's Moodswing Orchestra as well as Sufjan Stevens and Akron/Family.

Michael Leonhart & The Avramina 7: "Seahorse & The Storyteller"
Michael Leonhart & The Avramina 7: \"Seahorse & The Storyteller\"

TRUTHLiVE: Patience (Interdependent Media)

MC and DJ Evan Phillips has gone through a lot — three heart surgeries in his youth — so he would be understood if he didn't hold the most optimistic outlook on life.

Fortunately, it seems that he's emerged from trying times with a greater appreciation for life, and his new album — produced by Jake One — is down-to-Earth posi rap.

Much of the lyrical content of Patience is meant to uplift or serve as sage advice, including Phillips' observation that "it's easy to knock down; it's easy to take." Some tracks, such as "The Bush Years," tackle recent political history — but do so in a way so as to urge people to be their best selves.

TRUTHLiVE: "Ready, Set, Go"
TRUTHLiVE: \"Ready, Set, Go\"

Gotan Project: Tango 3.0 (XL)

Though it is built upon the French folk and Argentinian tango that reflect its members' ancestry, the Paris-based Gotan Project is much more than a trio of preservationists; its unique mixture is just as reliant upon hip hop or nuevo tango.

The trio's syllable-rearranging name is a nod to this, and after a decade together, the shuffling styles remain as cohesive as ever. The most surprising aspect of Gotan Project's career may be that Tango 3.0, a mix of instrumentals and vocal-led songs, is only the band's third studio album.

Gotan Project: "La Gloria"
Gotan Project: \"La Gloria\"

Honorable Mentions

Against Me!: I Was a Teenage Anarchist digital EP (Sire)

Asche: The Easter Island Phenomenon (Ant-Zen)

Caribou: Swim (Merge)

Roky Erickson w/ Okkervil River: True Love Cast Out All Evil (Anti-)

Horse Feathers: House with No Home (Kill Rock Stars)

Kayo Dot: Coyote (Hydra Head)

The Kissaway Trail: Sleep Mountain (Bella Union)

Mike Reed's People, Places & Things: Stories & Negotiations (482 Music)

Opio & Unjust: Mark it Zero (Hieroglyphics Imperium)

Prizzy Prizzy Please: Chroma Cannon (Joyful Noise)

Lou Rhodes: One Good Thing (Motion Audio)

The Bastard Noise / The Endless Blockade

A spinoff of treasured "power-violence" hardcore group Man is the Bastard, The Bastard Noise is approaching its 20th anniversary of creating noisy electro-doom brutality.

To its credit, The Bastard Noise continues to push boundaries, and for this split release with hardcore/punk experimentalists The Endless Blockade, the group utilizes the trademark drum-and-bass style of Man is the Bastard in combination with its far-out sounds.

Death-metal growls and demonic shrieks cover doom riffs and crushing bass chords, which quickly shift into progressive leads. Squealing, whirring electronic sounds further the ominous style — one that fans of the genre surely will love.

The Endless Blockade contributes three tracks to the release — one 14-minute epic and two avant-garde remixes. In "Deuteronomy," the marathon jam, hardcore/punk aggression gives way to circular, high-pitched effects and sludge breakdowns.

The first remix, "Advanced Directive," is an interpretation by Noah Creshevsky, a peerless patchwork composer/re-arranger who just released his own disc of inspired creations. The result, to say the least, is wild.

The Bastard Noise: "Mutant World of Shame / Underworld"
The Bastard Noise: \"Mutant World of Shame / Underworld\"

Freeway & Jake One: The Stimulus Package (Rhymesayers)

Continuing his life after Roc-A-Fella Records, former freestyle star Freeway now makes his debut on Rhymesayers, a fitting new home — if only temporary before a move to Cash Money.

Fellow Rhymesayers standout Jake One provides a funky, malleable backdrop for Freeway's fiery delivery and lyrics that are alternately personal and light in content. And though Freeway deserves his accolades, Jake One's production is the MVP of this collaboration.

Jake One's capabilities are on display from the get-go, as the party jam "Throw Your Hands Up" follows a soulful R&B intro track. A few tracks later, "Never Gonna Change" presents one of the most unique tracks on the album with a shifting rhythm (4/4 to 3/4 and back), glockenspiel, harmonized backing vocals, and sampled strings.

If you dig the music, be sure to pick up a physical copy. The Stimulus Package comes complete with awesome monetarily themed packaging.

Freeway & Jake One: "Know What I Mean"
Freeway & Jake One: \"Know What I Mean\"

The Souljazz Orchestra: Rising Sun (Strut)

Ottawa's Souljazz Orchestra, now with a quartet of expertly delivered albums, is much more than just another Afro-jazz ensemble.

With just six core members, the group uses its newest full-length — its first all-acoustic effort — to twirl through funk, Latin, African, down-tempo jazz, and big-band bits.

After a stirring piano-led intro and the full-blown Afrobeat of "Agbara" (heard below), "Negus Negast" vies for the title of album's best with a grooving marching-funk foundation that supports a dazzling Asian flavor.

Rising Sun is challenging but accessible, and it never loses sight of its inherent mission: to get listeners moving. When 2010 comes to a close, this should stand among the best jazz-crossover discs of the year.

The Souljazz Orchestra: "Agbara"
The Souljazz Orchestra: \"Agbara\"

Mako Sica: Dual Horizon LP (La Société Expéditionnaire)

A translation of the phrase "land bad," Mako Sica has more than a nominal Native American influence; the trio's distant vocal reverberations and dirge-inspired tunes recall the spirituality of America's original inhabitants.

Between the vocalizations of Brent Fuscaldo, the melodies of guitarist Przemyslaw Krys Drazek, and the rhythms of drummer Michael J. Kendrick, Mako Sica maintains a strong balance of abilities — with a brooding combination of jangly guitars, reverberated vociferation, and instrumental dynamics.

Though this is just the trio's debut, Mako Sica already has been featured on NPR's acclaimed world-music program, Radio M — and it won't be the last time if the band continues what it started on Dual Horizon.

Mako Sica: I'Itoi
Mako Sica: \"I\'Itoi\"

Carolina Chocolate Drops: Genuine Negro Jig (Nonesuch)

Beholden to the traditions of Americana and early African-American folk, the string trio Carolina Chocolate Drops continues blurring the lines of old and new.

On Genuine Negro Jig, the group's fifth album, a few original numbers and a trove of traditionals take root in banjo, fiddle, and percussion. Three-part harmonies shimmer on the famous folk tune "Trouble in Your Mind," and simplicity shines on gripping renditions of "Why Don't You Do Right?" by Kansas Joe McCoy and "Trampled Rose" by Tom Waits.

Most surprisingly, Genuine Negro Jig includes an enjoyable rendition of "Hit 'Em Up Style," an unintentionally farcical pop hit by Blu Cantrell, a multi-talented producer who is best known as an early-2000s one-hit wonder. Easily the most mainstream cut on the disc, the song (reenacted with beat-boxing) describes the shopping-spree revenge of a woman who gets back at her unfaithful man by snatching his credit cards.

Carolina Chocolate Drops: "Hit 'Em Up Style" (excerpt)
Carolina Chocolate Drops: \"Hit \'Em Up Style\" (excerpt)

Honorable Mentions

Dday One: Heavy Migration LP reissue (Crosstalk Int.)

The Seven Fields of Aphelion: Periphery (Graveface)

V/A: Next Stop Soweto: Township Sounds From The Golden Age Of Mbaqanga (Strut)

The packaging includes 4 Freeway Bills, 4 Jake One Bills, with lyrics and liner notes on the backsides, a wallet to stuff them into, plus a download card with the Instrumentals. You can pre-order the record here.

Brent Rollins Bio:

Brent Rollins works in Brooklyn, and is dedicated to producing iconic images and ideas.

Since the age of 18, Brent has produced memorable logos for memorable films ("Boyz N The Hood," "Dead Presidents"), and created his signature collage art for popular album covers (Spank Rock, Gang Starr, Mos Def and Talib Kweli's Black Star), for apparel (Stussy), and also murals (Nike, UNDFTD, The Contemporary Arts Center of Cincinnati, HVW8 Gallery, Brecht Forum Gallery and South Korea's R16 Festival).

"She Makes Me Feel Alright" (1st single) via iTunes
"Know What I Mean" video via Pitchfork TV
"Know What I Mean" "Know What I Mean"
"Love Is A Battlefield" MP3 Rip (non album, mixtape cut)

The Jesus Lizard

With its first performances since 1999, pummeling mid-tempo rock icons The Jesus Lizard will briefly reunite to play at the All Tomorrow's Parties festival in Minehead, UK in May of 2009. The group's original lineup will be present and play a short series of additional dates that culminates in Chicago next November.

Idiosyncratic rapper Busdriver performs live with a jazz-crossover band called Kneebody tonight in Los Angeles. Pigeon John also performs and tickets are only $10, so don't miss it!

Instrumental violin-centered trio Dirty Three will perform its beautiful fan-favorite album Ocean Songs at All Tomorrow's Parties in New York in 2009.

Comprised of vocalist J. Bannon (Converge), Dwid Hellion (Integrity), and Stephen Kasner (Blood Fountains), Irons is billed as an artistic, nonlinear expression of melancholy through electronics, guitars, and vocals. The trio has announced the impending release of a split 12" with Pulling Teeth.

Minimalist folk group Phosphorescent has recorded a full-length covers collection of Willie Nelson tunes titled To Willie. The group will tour this winter and spring.

One-man grind project Toxic Holocaust will assemble in band form for January tour dates with 3 Inches of Blood and Early Man. Currently, Toxic Holocaust is touring with GWAR.

Andrew Bird's deluxe edition of Noble Beast, due out on January 20, is available to pre-order through Fat Possum Records. The deluxe edition includes a second disc, Useless Creatures, that includes new instrumental works.

Rhymesayers has posted the video for "The Truth," the single from Jake One's great new album, White Van Music, that features Freeway and Brother Ali.

Beginning today, you can download the Christmas single "Beam Mig Op, Jesus" by Danish rockabilly weirdos Powersolo via iTunes or Clicktrack.

Groove trio Jacob Fred Jazz Odyssey is playing a New Year's Eve show in Tulsa in which the featured performers play the tunes of Prince, Lionel Richie, and Michael Jackson. Get down.