KILLL: s/t CD/DVD (Fysisk Format)

KILLL: "194"

Synchronized light shows have come a long way at rock concerts, but few — if any — outfits have approached the sensory-overload intensity of Oslo's KILLL.

Comprised of members of JR Ewing, Jaga Jazzist, and Altaar — and including visual/sound artist Are Mokkelbost (featured in Chromatic) — KILLL is a live-only band that collides mechanical yet fervid noise metal with insane strobe and LED visuals.

Its concerts feature an enormous backdrop hung to form an open box around the band. Kyrre Karlsen, the band’s de-facto lighting technician, sets off an intense series of colors that are in perfect time with the music, creating a pulsating illusion of movement against the backdrop.

The video footage that was captured for this DVD is unable to recreate the optical phenomenon, so the music videos therein are collages of hyperactive video cuts, built in large part from third-party sources (audience members, show organizers, etc.). Witnessing KILLL's live show is the only true way to experience the band, but if you can't get to Scandinavia anytime soon, grab this dual CD/DVD release — and brace yourself.

- Text by Noah Davis and Scott Morrow.

*** WARNING! This video contains heavy strobe and LED effects. People with medical conditions should avoid viewing! ***

Das Racist: Relax (Greedhead)

Das Racist: "Michael Jackson"

With two free mixtapes under its belt, Brooklyn-based hip-hop trio Das Racist has cornered the market on hyper-literate slacker rap. Its sound is defined by above-average dance-hop beats (from the likes of El-P, Diplo, and Boi-1da) and an unmistakably blasé style laden with off-hand references to everything from philosophical texts to drunk texts.

On Relax, the group's debut album, its satirical nature is on full display, mixing repetitious refrains of frivolous topics with name-dropping nods to critical thinkers. This dichotomy often plays out in rapid succession, demonstrated from back-to-back tracks like "Girl" and "Shut Up, Man." The former is a tongue-in-cheek love rap about "what we came to do," and the latter (featuring production and a guest verse by El-P) references novelist Isabel Allende (a first cousin once removed of Salvador Allende) and 1960s counterculture figure Timothy Leary.

On the surface, it's easy to dismiss Das Racist's music as joke rap or hipster rap, but there is serious thought and effort behind the façade of carelessness. Just try to keep up as the razor-sharp wit and rapid-fire, stream-of-consciousness rhymes draw parallels between seemingly disparate ideas and challenge traditional, mindless rap bravado.

- Text by Kyle Gilkeson and Scott Morrow.

Primus: Green Naugahyde (ATO / Prawn Song)

Primus: "Tragedy's a'Comin"

The oddball rock trio known as Primus is one of those intermittent reminders that something different and strange can pierce the veil of mainstream radio every so infrequently.

Though Les Claypool's pet project has been active on and off in a touring capacity for most of the past decade, the group now is back with its first studio album since 1999. Green Naugahyde is quintessentially Primus on many levels, but it notably includes pre-Suck on This drummer Jay Lane, who has collaborated in some of Claypool's countless "solo" incarnations and who is credited for breathing new creative life into Primus.

Lane's kick-heavy beats keep things moving throughout the album. But first and foremost, of course, the album is carried by Claypool's funky bass distortions and quirky vocals and Larry LaLonde's psychedelic, funky, idiosyncratic guitar blurts.

Predictably, Green Naugahyde is full of more tales of weirdness and occasional sociopolitical commentary (such as "Eternal Consumption Engine," about America's bottomless consumerism, and "HOINFODAMAN," about selling out to the advertising world). The vocals are another dose of half-sung and faux-dramatic bizarreness, alternately doubled by deep and falsetto harmonies, that few can pull off well. In essence, it's everything that you'd want from a Primus album.

The Dirt Daubers: Wake Up, Sinners! (Colonel Knowledge / Thirty Tigers)

The Dirt Daubers: "Wake Up, Sinners!"

The Dirt Daubers is a slight change of pace for JD Wilkes, the wild front man for the raucous, rockabilly-inspired blues-punk band The Legendary Shack Shakers. Joined by his wife, Jessica Wilkes, and Shack Shakers bassist Mark Robertson, Wilkes has slowed down a bit to help craft ragtime-inspired country blues.

The trio's sophomore album, Wake Up, Sinners!, finds JD's gritty and rumbling vocals balanced by Jessica's rich tones and harmonies, floating over finger-picked banjo, bellowing blues harp, and thumpin' bull fiddle. The Southern gothic lyrics spin tales of traveling outsiders, a strong-willed woman, and the true tale of a misunderstood boogey man from the deep woods of Kentucky. The trio's toe-tappin' rhythms and earnest sincerity are apt ingredients for a slice of Americana.

- Text by Portia Medina. Read the Q&A here.

Vader: Welcome to the Morbid Reich (Nuclear Blast)

Vader: "Come and See My Sacrifice"

Vader holds a pronounced place in Polish metal, helping to usher extremity into the country's underground scene in the mid-1980s when Communist rule still reigned.

Welcome to the Morbid Reich is the band's ninth studio album and second for Nuclear Blast. Still led by guitarist/bassist/vocalist Piotr Wiwczarek, the band now features another new lineup (although drum tracks were laid down by the last drummer, Paweł "Paul" Jaroszewicz), and a few new members help to make their presences felt.

New second guitarist Marek "Spider" Pająk is credited for the music on four tracks, including a haunting symphonic interlude. Symphonic accents, in fact, are a little more pronounced here, but an extreme blend of trash and death metal still rules the roost. Over Jaroszewicz's jaw-dropping kick-drum prowess and impossibly fast blast beats, Wiwczarek and Pająk are left to run wild with speed riffs, chugging discordance, and eruptive solos.

Honorable Mentions

Anthrax: Worship Music (Megaforce)

Arabrot: Solar Anus (Fysisk Format)

Astronautalis: This is Our Science (Fake Four)

Barn Owl: Lost in the Glare (Thrill Jockey)

Mick Barr: Coiled Malescence (Safety Meeting)

Anomie Belle: The Crush

Big Harp: White Hat (Saddle Creek)

Blitzen Trapper: American Goldwing (Sub Pop)

Cymbals Eat Guitars: Lenses Alien (Barsuk)

Einjerher: Norrøn (Indie Recordings)

Glenn Jones: The Wanting (Thrill Jockey)

Ladytron: Gravity the Seducer (Nettwerk)

Lydia Loveless: Indestructible Machine (Bloodshot)

W.W. Lowman: Kumquat May (Atavistic)

Mates of State: Mountaintops (Barsuk)

Mogwai: Earth Division EP (Sub Pop)

Neon Indian: Era Extraña (Mom & Pop Music)

Novalima: Karimba (ESL Music)

Jack Oblivian: Rat City (Fat Possum)

Chuck Ragan: Covering Ground (SideOneDummy)

Shimmering Stars: Violent Hearts (Hardly Art)

Toddla T: Watch Me Dance (Ninja Tune)

Toro y Moi: Freaking Out EP (Carpark)

Wild Flag: s/t (Merge)

A Winged Victory for the Sullen: s/t (Kranky)

Wooden Shjips: West (Thrill Jockey)

The Dirt Daubers: "Wake Up, Sinners!"

The Dirt Daubers is a slight change of pace for JD Wilkes, the wild front man for the raucous, rockabilly-inspired blues-punk band The Legendary Shack Shakers. Joined by his wife, Jessica Wilkes, and Shack Shakers bassist Mark Robertson, Wilkes has slowed down a bit to help craft ragtime-inspired country blues. The trio's sophomore album, Wake Up, Sinners!, finds JD's gritty and rumbling vocals balanced by Jessica's rich tones and harmonies, floating over finger-picked banjo, bellowing blues harp, and thumpin' bull fiddle.

The Southern gothic lyrics spin tales of traveling outsiders, a strong-willed woman, and the true tale of a misunderstood boogey man from the deep woods of Kentucky. The trio's toe-tappin' rhythms and earnest sincerity are apt ingredients for a slice of Americana. ALARM caught up with JD to ask about the roots of The Dirt Daubers and what’s up next.

What compelled you to start The Dirt Daubers?

I made a documentary called Seven Signs, a movie about Southern culture and music, that was selected by the Raindance Film Festival in London, England. The festival coordinators told me they would pay for my flight over if I came and played some music. My wife and I had been practicing banjo music, somewhat in secret, so I talked her into going. We got flown over, got wined and dined, played the gig, and had a blast. It was my first time playing banjo in public and her first time playing in front of people ever. Why, Les Claypool, of all people, was in attendance and told us it was great. So we decided to press onward and upward…eventually becoming the Dirt Daubers!

Is there a necessary balance between The Legendary Shack Shakers and The Dirt Daubers? What purpose does each band serve for you?

The Shack Shakers is the wholesale flaunting of my unfettered id. The Dirt Daubers puts a completely different demand on my skill set as a musician. In this band, if I stop playing banjo, there's a huge hole in the song. So, yes, I like this new challenge of being responsible for the bulk of the band's sonics.

How is the dynamic for you working in a band with your significant other?

We get along great and mostly just joke around and eat candy driving down the road. She does all the behind-the-scenes tour-managing stuff, and I drive the car. If Mark (our bassist) is along for the ride, it's even more fun.

Tell us more about the song "Can’t Go To Heaven" and how you came to meet John Akin, on whom the song is based.

John Akin was the subject of one of the "chapters" in my film Seven Signs. He was introduced to me by a friend (and fellow filmmaker) who administered home healthcare at Akins' "haunted house." John was considered to be a devil worshipper by the folks in his small town. It turned out he was just an eccentric, trickster-type character. I won't give away the whole story. You have to watch the movie to find out the rest.

What motivated you to pay tribute to the blue-collar working class with the song "Trucks, Tractors, and Trains"? Was that a big part of your upbringing?

My grandpa worked on the L&N. And a few of my extended family are farmers in Kentucky. I figured as long as they're out busting their hump all day, the least I can do, as a lazy, shiftless musician, is write them an anthem. Maybe they'll think I'm an okay guy. Naaah, who am I kiddin'?

JD and Jessica, when did you two decide that you wanted to play music together and make an album? Was that something you always wanted to do?

JD: Yes, it just seemed to happen naturally. Originally, we played music around the house for the "right" reason…for fun! Then we recorded an earlier record back in 2009. It's self-titled and came out on Arkam Records, the label started by fellow ALARM subjects The Pine Hill Haints.

Jessica: I love playing together. Admittedly, I'm fairly new to music. Before we were married, I tried learning different instruments, but I was always too shy to play. JD has been very encouraging of me when it comes to singing and performing. I've come out of my shell quite a bit since we started. He's created a monster!

Will The Dirt Daubers be an ongoing project?

Sure! This is the kind of music you can grow old playing. There's nothing more disturbing than some paunchy, balding dad trying to rock out on stage.

I can just sit my octogenarian ass in my wheelchair and play banjo 'til I croak. I can hardly wait!

Supermachiner, the haunting, mostly instrumental side project from Converge members Jacob Bannon and Kurt Ballou, will soon have its complete 30-track, two-disc collection, Rust, available through Deathwish Inc. Listen to a few tracks here.

Big Business has announced the release of its new album, Mind the Drift, for April on Hydra Head. Listen to a new track, "Gold and Final," on the group's MySpace page.

Japanese post-rockers Mono have a new album, Hymn to the Immortal Wind, being released on March 24 on Temporary Residence. The album boasts guest contributions from a 28-member orchestra.

Seven Signs, the Southern culture documentary by J.D. Wilkes of Th' Legendary Shack Shakers, is now available on DVD.

Following the release of Old Money via Stones Throw on January 26, Omar Rodriguez-Lopez takes his group to Europe in March. Click here for a list of dates.

A new alt-metal super-group called Shrinebuilder is recording a debut album for Neurot Recordings, due this summer. The group consists of Wino (The Hidden Hand), Scott Kelly (Neurosis), Al Cisneros (Om, Sleep), and Dale Crover (Melvins) and will be in the studio with Toshi Kasai (Big Business).

Orange Tulip Conspiracy, the exceptional multi-genre new group led by Estradasphere guitarist Jason Schimmel, will play a full US tour in May. If you're involved in setting up shows, you can help Schimmel fill in dates — head here for details.

Grandaddy singer/songwriter Jason Lytle has a solo debut album, Yours Truly, being release on Anti- on May 19.

Finger-tapping indie-rock specialist Kaki King is playing a "solo guitar and no other bullshit tour" in California from January 21-31. Head here for the dates.

Post-rock/jam keyboardist Marco Benevento plays a weekly residency in February at Yoshi's in Oakland in the middle of a handful of other West Coast dates. During the stint, Benevento will be joined by special guests that include Scott Amendola, Billy Martin, Reed Mathis, Jeff Parker, and Skerik.

California math-rock trio Tera Melos has a new EP of cover songs available to download for free. Band member Nick Reinhart also has new band with drumming wiz Zach Hill, called Bygones, that has a debut album set for release in March on Sargent House.

Starting today, the new Cattle Decapitation album, The Harvest Floor, is streaming in its entirety on buzzgrinder.com. The stream will run through January 19.

Thrash/punk four-piece Trash Talk has announced a handful of shows that span Japan, California, and Georgia (the state). The shows include performances with Fucked Up, Pig Destroyer, Converge, Torche, Mastodon, and Neurosis.

Hardcore tough guys Hatebreed have posted a cover of Sepultura's "Refuse/Resist" on their MySpace page. The cover is included in the soundtrack to Punisher: War Zone.

Dub Trio, photo by Bryan Sheffield

Heading the "mustn't miss" portion of our weekend, ALARM cover artists Dub Trio return to Chicago. If we have enough time (or the ability to clone ourselves), we hope to also catch Th' Legendary Shack Shakers, Calexico, the Melvins, Big Business, and a number of other musical talents.

Thursday, November 20

Melvins, Big Business @ Reggie's

When would music editor Jamie Ludwig ever miss an opportunity to see the Melvins? Big Business also crushes as a drum-and-bass two-piece, and it seems that these groups haven't missed an opportunity to play together since the members of BB joined their powerful forebears.

Murder by Death, William Elliot Whitmore @ Metro

Minimalist singer/songwriter William Elliot Whitmore has an unmistakable voice. Armed with a banjo, a guitar, and his crackling, heartbreaking numbers, Whitmore fills one of the city's prestigious medium-size venues with the alt-country/gothic/rock sound of Murder by Death (a group that is named after the underrated 1976 film of the same name).

Friday, November 21

Dub Trio @ Subterranean

Released in January, Another Sound is Dying was a unanimous selection by our editors for ALARM's year-end list of favorites. Dub Trio's first full-length release for Ipecac cranked the instrumentalists' dub/rock amalgamations to a new level of heaviness, leaving jaw-dropped listeners in its wake. The group's live performance is not to be missed. Brooklyn three-piece Goes Cube opens with a dose of über-heavy rock and roll.

Read music editor Jamie Ludwig's cover story on Dub Trio.

Th' Legendary Shack Shakers @ Double Door

Led by vocalist / harmonica player JD Wilkes, Th' Legendary Shack Shakers lay down a psychobilly punk sound that touches on alt-country, blues, and polka. Seeing the group should be a raucous good time, and we're hoping to make it across the street from Subterranean to Double Door in time to catch the group's set.

Calexico @ Metro

Maybe we can clone ourselves (twice) to be at all three of these shows. Southwestern folk group Calexico tours again in support of its beautiful new album, Carried to Dust.

Saturday, November 22

Alfonso Ponticelli, Goran Ivanovic, Andreas Kapsalis, Jamie Gallagher, and Katerina @ Katerina's

A group of local talents gather for the Annual Dionysian Wine Fest at Katerina's. Known separately for their takes on swinging Gypsy jazz, Mediterranean music, and classical guitar, the members of this group should create a stirring blend of influences.

Cleaning

Sometimes spring cleaning gets delayed by 6-8 months. Sometimes online editor Scott Morrow moves and doesn't feel like unpacking his boxes.

Sunday, November 23

Dan Lippel with the International Contemporary Ensemble @ Uncommon Ground

Traveling from New York, experimental classical guitarist Dan Lippel joins the Chicago chapter of the International Contemporary Ensemble (ICE) for some innovative chamber music. This show celebrates the release of a new ICE album on New Focus Recordings with a free performance.