The Book of Knots: Garden of Fainting Stars (Ipecac)

The Book of Knots: "Microgravity"

Garden of Fainting Stars is the third installment in the "By Sea, By Land, By Air" trilogy of The Book of Knots, a collaborative studio project that's built around the quartet of producer/musician Joel Hamilton, bassist Tony Maimone, drummer Matthias Bossi, and violinist Carla Kihlstedt.

As on the previous two albums, the band delivers a dissonant yet melodic mix of pitch-bending, alien effects, and textured, metallic tones, and an all-star stable of guests again helps narrate the album's tales, this time relating to aeronautics.  Garden of Fainting Stars, however, feels the most cohesive of the three albums, as the core group comes closer to perfecting its brand of disconsolate rock experimentation.

But as expected, there's plenty of variety from track to track.  After the crunchy guitars and ascendant vocals of album opener "Microgravity," a brooding backdrop is set for "Drosophla Melanogaster," which includes narration by Blixa Bargeld of Einsturzende Neubauten.

The rest of the album's guests, consisting of extended musical family, include Mike Patton, Trey Spruance of Secret Chiefs 3, Mike Watt, Nils Frykdahl of Sleepytime Gorilla Museum, and Dawn McCarthy of Faun Fables.  Patton's soft croons introduce "Planemo" before sonorous synthesizers darken the horizon, and shortly thereafter, potentially post-apocalyptic radio ramblings close the album on "Obituary for the Future."  It ends the trilogy in pessimism and mystery — fitting for an album that is self-described as a "wormless, rusty hook into the lifeless seas of the music industry, expecting to reap only sorrow."

Bosco Delrey: Everybody Wah (Mad Decent / Downtown)

Bosco Delrey: "Baby's Got a Blue Flame"

Bosco Delrey is one curious cat, one whose debut album is a Jon Spencer-esque roots-rock revival that incorporates strong elements of electronica and psychedelia.  Following a pair of seven-inch releases earlier this year, Everybody Wah is that debut, marking the arrival of a dynamic 21st Century songwriter.

In addition to the traditional rock elements, the album uses a plethora of modern sounds, from fuzz bass to drum machines to synthesizers.  "Archebold Ivy" is one of more genre-blended songs on the album, combining a classically flavored harpsichord melody with dance-fueled synth lines and Delrey's throwback vocals.  That's immediately followed by "Afterlife," a soulful yet futuristic faux-string-tinged amalgamation.  "Cool Out" borrows some Venetian Snares-style drum and bass over a simple sweeping backdrop, and "Insta Love" follows with a romantic rock-and-roll ballad.

If you haven't heard Bosco Delrey's name yet, introduce yourself.  And if you have, prepare to hear more of it.

Arkona: Stenka na Stenku (Napalm)

Arkona: "Stenka na Stenku"

Based in Moscow, Arkona is a raucous Russian folk- and pagan-metal band led by the alternately harmonious and growling vocals of Maria "Scream" Arhipova.  The Stenka na Stenku EP, which follows five full-length studio releases, is a fun, brief blast of tunes that mix power metal with wind instruments such as bagpipes, flute, and ocarina.

The result, though jarring for the uninitiated, is a mix that doesn't grow tiresome over the six tracks.  "Valenki" has an upbeat yet blazing delivery, pairing speed picking with rapid bass kicks, wily accordion riffs, and guttural folk chants.  But Stenka na Stenku also reels it back, offering an acoustic rendition of "Goi, Rode, Goi!" — the title track from Arkona's 2009 album — for something haunting and wailing, anchored by cello strikes, throat singing, and layers of old-world vocals.

Erik Friedlander: Bonebridge (SkipStone)

Erik Friedlander: "Beaufain Street"

Cellist/composer Erik Friedlander long has been associated with John Zorn and the downtown New York City scene, but his considerable abilities have made him known as a bandleader as well as prolific sideman, counting collaborations with musicians as diverse as Kaki King, Ikue Mori, John Vanderslice, Vinicius Cantuaria, and Kelly Clarkson.

Bonebridge is Friedlander's latest as a leader, weaving a melodic blend of Americana and jazz with guitarist Doug Wamble, bassist Trevor Dunn, and drummer Mike Sarin.  This time around, Friedlander emphasizes pizzicato playing on his cello as he balances melody and feel with technical prowess.

This plus Wamble's Southern slide guitar are the defining characteristics of the album — yet the rhythm section is never lacking.  Dunn's upright-bass grooves root the album for leads from Friedlander and Wamble, although he is free to roam from time to time.  On occasion, Wamble's twangy tones nearly resemble a sitar; when less the focus, his guitar drifts in and out with soft murmurs.

Bonebridge actually began as material for Friedlander's Broken Arm Trio, which includes Dunn and Sarin.  But it quickly became more in Friedlander's mind, and Wamble was invited to expand the timbral possibilities.  The sonic destination is ground that Friedlander had yet to tread, which gets increasingly harder as his catalog grows ever larger.

Marissa Nadler: s/t (Box of Cedar)

Marissa Nadler: "Baby, I Will Leave You in the Morning"

After garnering a greater following with a pair of releases on Kemado Records,"dream folk" singer/songwriter Marissa Nadler has had to self-release her latest, self-titled album, made possible by a successful Kickstarter campaign.

The album being self-titled seems to signify a new starting point, which is reflected by her Box of Cedar label name and the fact that the album only features two players, Nadler and Carter Tanton.

As in the past, however, the music features healthy accompaniment to Nadler's airy, multi-tracked vocals and cavernous reverberations.  This time they come in the form of bells and glockenspiel, pedal-steel guitar, synthesizer, marimba, light drumming, and more.  Nadler calls the collection her "most honest and natural," and that's hard to dispute.  Each track offers a new direction without forcing it, and the entire album is unified by Nadler's idiosyncrasies and songwriting skills.

The Dear Hunter: The Color Spectrum condensed CD & 9-EP collection (Triple Crown)

The Dear Hunter: "Deny It All"

The Dear Hunter, begun as simply a side project, has since blossomed into a theatrical prog-pop band that now has multiple multi-album concept cycles. The group’s newest completion is a nine-EP project called The Color Spectrum, inspired by the colors of the rainbow (plus black and white).

Released as individual 10-inch records and as a single CD with limited selections, the music is as assorted as its inspirations. Black is sonorous, martial, deep, and reverberating; White is ethereal and hymn-like in places, but also doggedly cheerful. Blue is playful, youthful, and driven, churning and giddy; Green is ebullient, relaxed, and expansive; Red is sexy and insinuating as well as aggressive.

- Text by Summer Block. Read the full story in Chromatic: The Crossroads of Color and Music.

Honorable Mentions

Aaron Goldberg & Guillermo Klein: Bienestan (Sunnyside)

Diskjokke: Sagara (Smalltown Supersound)

Elysian Fields: Last Night on Earth (Ojet)

Isis: Live II 03.19.03

John Shannon & Wings of Sound: Songs of the Desert River (Creek Valley)

The Mattson 2: Feeling Hands (Galaxia)

This Morn' Omina: L'Unification des Forces Opposantes (Ant-Zen)

Terakaft: Aratan N Azawad (World Village)

Vetiver: The Errant Charm (Sub Pop)

Percussionist and multi-instrumentalist Martin Dosh spent much of the past decade establishing himself as a skilled designer of electro-infused, loop-laden ambience and melody.

Over that time, his arrangements have become more complex, with instrumentation that has gotten progressively more diverse, often thanks to high-profile guests such as Bonnie "Prince" Billy, Andrew Bird, Odd Nosdam, and Fog.

For a good portion of his latest effort, variegated sounds create thoroughly layered material atop jumping drum kits and looped beats alike. Harpsichord, slide guitar, piano, and saxophone complement the usual armaments of Fender Rhodes, marimba, and samples, as tracks such as "Subtractions," "Number 41," and "Call the Kettle" (as well as the album's distorted conclusion) present new sides of Dosh. Tommy eventually settles into the down-tempo electro-acoustic tunes of yore, but never is the album dull or repetitive.

Dosh: "Subtractions"
Dosh: \"Subtractions\"

The Nels Cline Singers: Initiate (Cryptogramophone)

Gifted guitarist Nels Cline may be best recognized as "that really tall guy in Wilco," but his accomplished career spans decades as well as ravines of style. Free jazz, avant-rock, country, experimental — there aren't many modern guitar-heavy styles that Cline hasn't touched.

For his "full-time" group, The Nels Cline Singers (a purposeful misnomer), Cline commonly has traversed improvised terrain, but recent albums have presented a beauteous (and often acoustic) compositional side.

Initiate, a two-disc release that includes a live album, further angles The Singers towards accessibility. But fans of Cline's off-the-cuff abilities and technical prowess won't be disappointed, as the album strikes a perfect balance for the group, alternating between progressive jams, effect-laden tranquility, and alien "out-ness."

A squiggly, ambient, looping intro leads into a track of circular grooves that keep it steady for Cline's noodling solos and riotous effects. Other atmospheric pieces utilize Cline's playing in a lounge or jazz style, or simply use him as a swelling accompaniment to the endowed bass lines of Devin Hoff and percussive dynamics of Scott Amendola. All told, Initiate might be the trio's best and most symmetrical release to date.

The Nels Cline Singers: "Floored"
The Nels Cline Singers: \"Floored\"

Omar Rodriguez Lopez: Solar Gambling (Rodriguez Lopez Productions)

Released digitally late last year, the 13th solo album by The Mars Volta's mastermind sees a physical release this Saturday for Record Store Day. Ostensibly, Solar Gambling is a supplement to last year's Xenophanes, a masterful and approachable vocal-intensive album that featured the deft piano work of sibling Marcel Rodriguez Lopez.

This collection contains a familiar brand of progressive psych jams, and fans of Omar's monstrous output aren't likely to be surprised. However, whereas Xenophanes was a striking vocal "debut" by Omar, Solar Gambling fully features vocalist Ximena Sariñara, who supplied backups on the predecessor.

It's hard to believe that one man can produce so much quality music like clockwork, and Solar Gambling attains a perfect counterbalance — alluring vocals and rock grooves vs. polyrhythmic overdubs and exotic effects. Be sure to stream the whole album while you can.

Omar Rodriguez Lopez: "Un Buitre Amable Me Pico"
Omar Rodriguez Lopez: \"Un Buitre Amable Me Pico\"

Child Abuse: Cut and Run (Lovepump United)

A band as consistent in its own sound shouldn't be as indescribable as Child Abuse, which might be considered something to the effect of "death math punk." But that description, like many, is insufficient.

On top of punishing, Meshuggah-style beats, the trio heaps beastly fuzz bass, wailing keyboard noise, growls, and vocal weirdness. The most apt contemporary comparison might be Italy's Zu (also a three-piece) or Lightning Bolt (only a duo!), but these counterparts are actually easier to digest and easier for grooving along.

Cut and Run will strike many as abrasive and difficult, but for fans of complexity and noise, it will be another great disc from 2010.

Child Abuse: "Bebe"
Child Abuse: \"Bebe\"

Honorable Mentions

An Autumn For Crippled Children: Lost (ATMF)

Clutchy Hopkins: The Story Teller (Ubiquity)

Chris Burton Jácome: Levanto

Kaki King: Junior (Velour)

Th’ Legendary Shack Shakers: Agridustrial (Colonel Knowledge)

Lowness: Undertow (Ant-Zen)

Stanton Moore: Groove Alchemy (Concord)

Rafter: Animal Feelings (Asthmatic Kitty)

Supermachiner, the haunting, mostly instrumental side project from Converge members Jacob Bannon and Kurt Ballou, will soon have its complete 30-track, two-disc collection, Rust, available through Deathwish Inc. Listen to a few tracks here.

Big Business has announced the release of its new album, Mind the Drift, for April on Hydra Head. Listen to a new track, "Gold and Final," on the group's MySpace page.

Japanese post-rockers Mono have a new album, Hymn to the Immortal Wind, being released on March 24 on Temporary Residence. The album boasts guest contributions from a 28-member orchestra.

Seven Signs, the Southern culture documentary by J.D. Wilkes of Th' Legendary Shack Shakers, is now available on DVD.

Following the release of Old Money via Stones Throw on January 26, Omar Rodriguez-Lopez takes his group to Europe in March. Click here for a list of dates.

A new alt-metal super-group called Shrinebuilder is recording a debut album for Neurot Recordings, due this summer. The group consists of Wino (The Hidden Hand), Scott Kelly (Neurosis), Al Cisneros (Om, Sleep), and Dale Crover (Melvins) and will be in the studio with Toshi Kasai (Big Business).

Orange Tulip Conspiracy, the exceptional multi-genre new group led by Estradasphere guitarist Jason Schimmel, will play a full US tour in May. If you're involved in setting up shows, you can help Schimmel fill in dates — head here for details.

Grandaddy singer/songwriter Jason Lytle has a solo debut album, Yours Truly, being release on Anti- on May 19.

Finger-tapping indie-rock specialist Kaki King is playing a "solo guitar and no other bullshit tour" in California from January 21-31. Head here for the dates.

Post-rock/jam keyboardist Marco Benevento plays a weekly residency in February at Yoshi's in Oakland in the middle of a handful of other West Coast dates. During the stint, Benevento will be joined by special guests that include Scott Amendola, Billy Martin, Reed Mathis, Jeff Parker, and Skerik.

California math-rock trio Tera Melos has a new EP of cover songs available to download for free. Band member Nick Reinhart also has new band with drumming wiz Zach Hill, called Bygones, that has a debut album set for release in March on Sargent House.

Starting today, the new Cattle Decapitation album, The Harvest Floor, is streaming in its entirety on buzzgrinder.com. The stream will run through January 19.

Thrash/punk four-piece Trash Talk has announced a handful of shows that span Japan, California, and Georgia (the state). The shows include performances with Fucked Up, Pig Destroyer, Converge, Torche, Mastodon, and Neurosis.

Hardcore tough guys Hatebreed have posted a cover of Sepultura's "Refuse/Resist" on their MySpace page. The cover is included in the soundtrack to Punisher: War Zone.