Shining: Live Blackjazz album and DVD (Indie Recordings / Prosthetic Records)

Shining: "Fisheye"

With its 2010 album, Blackjazz, Norway’s Shining completed a transition from jazz experimentalism to classically informed prog-fusion to sinister electro-industrial metal. The transformation seems extreme, but when heard linearly, it feels surprisingly natural. Much of that transformational fluidity, in fact, is owed to the band’s hyperkinetic live show, where old and new tunes alike are delivered with equal parts precision and punishment.

A combined DVD and live album, Live Blackjazz documents Shining’s cathartic stage show in stunning quality while bordering on sensory overload. Live recordings generally aren’t recommended for first introductions — but, as you might have guessed, Shining isn’t your average band.

- Scott Morrow

Liberteer: Better to Die on Your Feet than Live on Your Knees (Relapse)

Liberteer: "Build No System"

As the new solo moniker of Santa Cruz grind veteran and multi-instrumentalist Matt Widener, Liberteer has delivered a maiden opus that might truly justify using the words “grindcore” and “opera” in the same breath. It’s an epic and unorthodox debut — one that plays essentially as one continuous song while marrying D-beat crust to horns, flutes, banjos, and marching snares.

As expected, the album contains plenty of bellowing, ultra-low B-tuned guitar and blast-beat bury. But from the very first banjo plucks and bugle-horn strains on the introductory track, it’s obvious that Widener’s over-the-top militarism is meant as a parody of patriotic fervor.

- Saby Reyes-Kulkarni

Jono El Grande: The Choko King (Rune Grammofon)

In late 2010, the eccentric Norwegian guitarist and avant-garde composer known as Jono El Grande (born Jon Andreas Håtun) released Phantom Stimulance, a collection of previously unreleased tunes from his archives and songs that he transformed beyond recognition, demanding to be heard.

This year, Jono reached even further into his stash to bring us The Choko King, another compilation of unheard music dating back to 1995 — four years before his debut as Jono El Grande. Though the album lacks a certain cohesiveness present in his other releases, the songs serve as rough sketches illustrating his strangely brilliant mind.

For the uninitiated, Jono’s avant-garde compositions may seem either absurd and inaccessible or merely a cacophony of random sounds. Tracks like “Türbø Meuz,” however, exemplify the amount of time and labor that goes into every quirky detail: in his “insanely nerdy details” about the album, Jono explains the song’s 12-year evolution from a 20-minute orchestral piece to the two-minute art-rock composition on The Choko King.

Though some of the early pieces are interesting to hear as bizarre ideas unfolding, “Türbø Meuz” and the other later ideas showcase the more fully realized, Frank Zappa-esque era of Mr. El Grande. Certain tracks may rub you the wrong way, but given that the majority are under one or two minutes, it doesn't take long for the album to cross back into mad genius.

- Meaghann Korbel

Honorable Mentions

Buxton: Nothing Here Seems Strange (New West)

Leonard Cohen: Old Ideas (Columbia)

Gotye: Making Mirrors (Universal)

Hospitality: s/t (Merge)

Imperial Teen: Feel the Sound (Merge)

Lana Del Rey: Born to Die (Interscope)

Novalima: Karimba (ESL)

Zeena Parkins: Double Dupe Down (Tzadik)

Gregory Rogove: Piana, performed by John Medeski (Knitting Factory)

John Zorn: Mount Analogue (Tzadik)

Mister Heavenly: Out of Love (Sub Pop)

Mister Heavenly: "Bronx Sniper"

In music, unlike the NBA, it’s perfectly acceptable for a hometown hero to enlist his buddies for a maddeningly dominant triumvirate. Formed in 2010 with far less pageantry than the would-be "big three" of the Miami Heat, Mister Heavenly comprises Nick Thorburn (Islands, The Unicorns), Ryan Kattner (Man Man), and Joe Plummer (Modest Mouse, The Shins).

The first 25 seconds of the trio’s debut album, Out of Love, feints left with a strummed guitar and brittle vocals — territory where Thorburn has made his name — and then cracks wide open with pure rock-'n'-roll swagger. With the two songwriters, Thorburn and Kattner, carrying on an exchange of verses and riffs, one expects a certain amount of fragmentation. Instead, the dual vocalists complement each other in surprising ways — a result likely due to the rather unlikely influence of doo-wop.

An ear for nostalgia and a strict set of ground rules keeps Out of Love from developing a split personality. Of course, it’s not doo-wop; it’s “doom-wop,” according to the band. Thorburn can sing a mean hook, and sticky melodies seem to come effortlessly, but it’s Kattner (known for his guttural vocals and manic, face-painted antics) and Plummer (a versatile drummer) who bring the edge and keep things unpredictable.

- Text by Kyle Gilkeson.

NewVillager: s/t (IAMSOUND)

NewVillager: "Lighthouse"

As a captivating yet mystifying merger of music, art, and performance, NewVillager is an otherworldly project revolving around an elaborate mythology and still-unfolding allegories, denoting three colors — red, green, and blue — as past, present, and future, respectively, while offering black and white as catabolic and anabolic forces.

With these as background, the project’s principals — Ben Bromley and Ross Simonini — use a large cast of contributors to depict different aspects of its creation myth via songs, videos, and installation art. One such video, for the song “Lighthouse,” features ornately costumed crimson- and sapphire-hued characters and draws inspiration from Papua New Guinean tribal aesthetics.

On the group’s debut album, each song focuses on one of the ten aspects of its mythology’s transformations. With rich, multi-layered results, the music intertwines reverberated indie-rock guitars with skittering hi-hat beats, synth grooves, and Beck-style falsettos with baritone weirdness and sing-along refrains.

- Text by Katie Fanuko. Read the full story in Chromatic, available September 20.

All Pigs Must Die: God is War (Southern Lord)

All Pigs Must Die: "Pulverization"

As another new addition to the ever-growing sub-genre of metallic hardcore, All Pigs Must Die carries a set of credentials that most upstarts do not, counting vocalist Kevin Baker (The Hope Conspiracy), drummer Ben Koller (Converge), and guitarist Adam Wentworth and bassist Matt Woods (Bloodhorse) as veteran members.

God is War is the group's full-length debut, and following a five-track EP last year, it spreads the band's assailing sound over more than 30 minutes worth of material. Citing influences that range from the Cro-Mags and Discharge to Entombed and Celtic Frost — and recorded, naturally, by Kurt Ballou of Converge — All Pigs Must Die follows a path that's well tread but still powerful.

Contemporaries such as Trap Them (and much of the Deathwish Inc. roster) draw close comparisons, but God is War delivers an intensity that is matched by few, bringing more speed to the traditionally doomy Southern Lord roster.

MoHa!: Meiningslaust Oppgulp (Rune Grammofon)

MoHa!: "Brikjande Glime"

Mixing composition and improv in a sort of "free electro-rock" style, Norway's MoHa! has been one of the country's finest avant exports since the mid-2000s.

Just a duo, the two-piece overcomes its size limitations with a barrage of sounds, triggering effects from its drums and cymbals while running electronics alongside guitar and other noise. MoHa!'s live performance is quite the spectacle as well, as quickly flashing lights inundate the audience in synchronicity with the noise-rock insanity.

The duo has three full-length offerings through Rune Grammofon, but it also has an assortment of seven-inches and other hard-to-find releases. Thankfully, that small-run material is now released as this singles collection. The music is every bit as frantic and zany as one would expect — but without the visual accompaniment, you're not doing yourself justice. Pick this up and then head to YouTube.

Gojogo: 28,000 Days (Porto Franco)

Gojogo: "Firebird"

The third full-length from Bay Area classical-jazz quartet Gojogo is a compelling hybrid that blends electronic sampling with strings, upright bass, and Indian percussion. Each member brings a different background to the table, and in the case of percussionist Elias Reitz, who plays dholki and ghatam, learning how to communicate musically with Western-trained musicians was a difficulty in itself. The cross-pollination came with rich rewards, however, as 28,000 days (76 years, or the average lifespan) is masterfully unpredictable and textured.

The album begins with the string-based “Tale of Tales,” which, with its dramatic peaks, valleys, and multiple movements, would be at home in a cinematic setting. Indeed, Gojogo has worked on both film scores and dance performances in its 10-year career, but as the second half of the lead track indicates, the band has no hesitation in plugging in and getting loud.

The deep, plucked bass and the familiar clack of hand-struck drums drive the album through its various moods, creating a consistent backbone for conversational electric guitar and violin. Elements of drone and post-rock are present as well, lending an intensity and hard edge to a laid-back, melodic tour of genres and eras.

- Text by Kyle Gilkeson.

Honorable Mentions

Appetite: Scattered Smothered Covered (Crossbill)

Awol One & Nathaniel Motte: The Child Star (Fake Four)

Braid: Closer to Closed EP (Polyvinyl)

Jeff Bridges: s/t (Blue Note)

Case Studies: The World is Just a Shape to Fill the Night (Sacred Bones)

The Cool Kids: When Fish Ride Bicycles (CAKE  / Green Label Sound)

Matthew Friedberger: Cut it Out LP (Thrill Jockey)

GDFX: One Thing (Impose)

Gold Leaves: The Ornament (Hardly Art)

A Lull: Confetti Reprise EP (Mush)

Sølyst: s/t (Bureau B)

The War on Drugs: Slave Ambient (Secretly Canadian)

Yellow Ostrich: The Mistress (Barsuk)

Download the podcast for This Week’s Best Albums: February 1, 2011 and subscribe to This Week’s Best Albums for free with iTunes.

Stream the podcast for This Week's Best Albums: February 1, 2011.
This Week\'s Best Albums: February 1, 2011

Carla Kihlstedt & Matthias Bossi: Still You Lay Dreaming – Tales for the Stage, II

Carla Kihlstedt & Matthias Bossi: "The Gyre"

Carla Kihlstedt & Matthias Bossi: "Wandering Secret"

Carla Kihlstedt and Matthias Bossi are two adventurous members of avant-metal band Sleepytime Gorilla Museum; each is involved in a plethora of projects, including Tin Hat (Trio), The Book of Knots, 2 Foot Yard, and Skeleton Key.  With Sleepytime bandmate Dan Rathbun, the two released an album a few years ago called Ravish, consisting of scores for dance and theater companies, and now the couple has self-released a sequel of sorts, called Still You Lay Dreaming — a download-only collection of tracks that were written for the Deborah Slater Dance Theater’s production of Men Think They Are Better Than Grass.

The music, though not as massively far-reaching as each musician’s career, is an eclectic assortment of unorthodox instruments, unusual melodies, and dynamic vocals.  Kihlstedt’s usual vocal power leads the way on half of the tracks, but her superlative violin skills take a back seat to duo’s “closet arsenal” of bass harmonica, pump organ, bathtub percussion, flour sifter, and other oddities.

A general compositional diversity – in addition to distorted, pitch-shifted, and reverberated instruments and vocals – makes the collection a wonderful listen from start to finish.  Fans of the duo’s previous work won’t want to miss it either, as there’s little that resembles what has come before.

V/A: Generation Bass Presents Transnational Dubstep (Six Degrees)

Fleck & Fish Finger: “Rude Profile” (Pan Agnostix flamenco-step version)

Featuring 15 world-infused dubstep tunes, Generation Bass Presents Transnational Dubstep is a journey around the globe as filtered through the pulsing beats and whirring, mechanical sounds of a dance subgenre that continues to flourish.  Compiled by the co-founders and editors of the dance-music blog Generation Bass, in conjunction with Six Degrees Records, it’s a continent-hopping collection of thumping grooves alongside sounds from India, the Middle East, Asia, Europe, South America, and more.

The majority of the tracks, at some point, adhere to the key dubstep directive – blown-out bass lines in triplets – but they often begin or build in very un-dubstep ways.  This is best experienced on tracks such as “Kaliyuga,” which takes a sweeping string melody – possibly from a sarangi – and coalesces it around, sitar, veena, tabla, and a dirty synth line before a wobbling bass line and hip-hop beats break it down.  It’s one of the comp’s best tracks and a great fusion between East and West.

Jono El Grande: Phantom Stimulance (Rune Grammofon)

Jono El Grande: "Borrelia Boogie"

Known musically as Jono El Grande, Norwegian guitarist/composer Jon Andreas Håtun uses his nom de plume to combine theatrical, progressive, classical, jazz, and absurdist styles for performance-art and dada-inspired live shows.  Though you’ll find this on his Wikipedia entry, his music might be best described as a mix between his confessed influences: Frank Zappa, Captain Beefheart, King Crimson, and Igor Stravinsky.

Following his outstanding and eclectic release Neo Dada in 2009, Jono has now released a collection of re-recorded stage songs and unreleased material.  It picks up where Neo Dada left oft, with fanciful, melodic meanderings that can sound like an acid-soaked version of countrymen Jaga Jazzist – only with strange, often nonsensical vocals in the mix.  Named Phantom Stimulance, the collection is a synchronized mélange of guitar, xylophone, harpsichord, organ, synthesizer, horns, singing saw, and more.

Buck 65: 20 Odd Years (Warner Music Canada)

Buck 65: "Who By Fire"

Last year, Canadian hip-hop artist Buck 65 released a series of digital mini-albums to commemorate 20 years of creating music.  Despite his recent connection to Warner Music, he’s always had an unusual and avant-garde style of rapping and lyricism, collaborating with a host of great artists with independent roots that include Sage Francis, Feist, Tanya Tagaq, Boom Bip, John Herndon of Tortoise, and more.

20 Odd Years is made in that daring, collaborative spirit, with a number of vocal and instrumental guests who take the music in copious directions.  Over the course of 13 tracks – four unreleased and the rest from the mini-albums – it moves through acoustic folk hop, piano-laced trip hop, synth rock, western cinematics, French pop, Eastern-tinged string melodies, and vocal balladry.  It’s often both dramatic and delicate – usually thanks the dynamic guest vocalists – but it also has a little fun, notably with a song about zombies. Ultimately, 20 Odd Years might be the best and most adventurous collection that Buck 65 has created.

Honorable Mentions

Abysmal Dawn: Leveling the Plane of Existence (Relapse)

Arthur's Landing: s/t (Strut)

Tommy Guerrero: Lifeboats and Follies (Galaxia)

Kotchy: Two (Done Right)

Fela Kuti: Vinyl Box Set 1, Compiled by ?uestlove of The Roots (Knitting Factory)

Noisear: Subvert the Dominant Paradigm (Relapse)

Rot in Hell: As Pearls Before Swine (Deathwish)

Seefeel: s/t (Warp)

ALARM leaves no genre unloved in our round-up of 50 albums that didn't receive enough attention in 2009.

Omar Rodriguez Lopez: Old Money (Stones Throw, 1/27/09)

Omar Rodriguez Lopez: "Family War Funding"

The first of many releases in 2009 from prolific guitarist/composer Omar Rodriguez-Lopez. Accessible and centered on rock, sounding spacey, funky, progressive, psychedelic, a little jazzy, and a little Latin.

Kevin Hufnagel: Songs for the Disappeared (self-released, 2/3/09)

Kevin Hufnagel: "Tres"

Musical themes come and go, covering swaths of Spanish and Gypsy guitar before reverting back to haunting rock melodies, on this solo acoustic album from highly technical Dysrhythmia guitarist Kevin Hufnagel.

P.O.S: Never Better (Rhymesayers, 2/3/09)

P.O.S.: "Drumroll"

Likely the year's best hip-hop album, Never Better draws on Stefon Alexander’s background in punk and rock music (he plays most of the live instrumentation on the record), making this is an album that categorically defines the indie in indie rap.

Zu: Carboniferous (Ipecac, 2/17/09)

Zu: "Ostia"

Sludgy alt-metal with complex repeated rhythms and free-jazz freakouts. Features Mike Patton on two killer tracks.

The Andreas Kapsalis & Goran Ivanovic Guitar Duo: s/t (2/24/09)

The Andreas Kapsalis & Goran Ivanovic Guitar Duo: "Shadow Thief"

A Balkan-influenced classical guitarist joins an ethically inspired finger-tapping guitarist for a disc of skill and beauty.

16: Bridges to Burn (Relapse, 2/24/09)

16: "Throw in the Towel"

Dubbed the "Unsane of the West Coast" by ALARM's Jamie Ludwig, 16 issued another hard-hitting riff fest in 2009 with Bridges to Burn, the band's best album to date.

Umlaut: s/t (3/10/09)

Umlaut: "Kitty Puppy"

Mr. Bungle's Bär McKinnon, multi-instrumentalist extraordinaire, issued one hell of an album for this new project — one that filters meticulous melodies and asinine vocals through the lens of a whacked-out lounge group.

Jono El Grande: Neo Dada (Rune Grammofon, 3/16/09)

Jono El Grande: "Oslo Coty Suite"

Fanciful music that's different around every turn. Art rock that weaves through theatrical, progressive, classical, and absurdist styles with influences from Frank Zappa, Captain Beefheart, King Crimson and Igor Stravinsky.

Kylesa: Static Tensions (Prosthetic, 3/17/09)

Kylesa: "Scapegoat"

Down-tuned dirge metal that rumbles with crust punk, sludge, metal, hardcore, and psychedelia, often laced with atmospheric samples. To date, Static Tensions is Kylesa's most powerful album.

(MF) Doom: Born Like This (Lex, 3/23/09)

Doom: "Cellz"

Dropping his “MF” prefix, the incomparable rapper and Marvel-inspired supervillain delivered another nearly impenetrable wall of rhymes and flow, dizzying listeners with his ever-shifting, slowly delivered lyrics.

Secret Chiefs 3

Having covered Indian, Persian, surf, metal, spaghetti Western, and electronic music — and so much more — Trey Spruance's unparalleled Secret Chiefs 3 has now set its sights on the Italian giallo horror/erotica genre of the 1960s and '70s.

Translating to The Severed Right Hands of the Last Men, this album encapsulates 30 brief, often abstract film cues that sonically invoke images of bloodcurdling terror — as well as moments of passive tranquility — inspired in part from the works of Bruna Nicolai, Ennio Morricone, Goblin, and other noted giallo composers.

It also represents the first release from Traditionalists, a subset of the SC3 umbrella that finds inspiration in fanciful cinematic scores.  It's impossible to know whether the next release will be the long-awaited Book of Souls or rather a full-length affair from another subgroup, but regardless, it's sure to cover uncharted (or neglected) territory.

Secret Chiefs 3: Le Mani Destre Recise Degli Ultimi Uomini preview
Secret Chiefs 3: Le Mani preview

Coalesce: OX (Relapse)

After 10 years, multiple reunions, and talk of resurfacing as a new entity, the hardcore maelstrom that is Coalesce has returned with a new full-length disc.

Following an outstanding two-song seven-inch in late 2007, OX finds the four-piece demolishing ear drums while treading new ground, edging into bits of acoustic melancholy, heavy blues, harmonized vocals, and spaghetti Western.

The softer moments aren't actually new; the Coalesce / Boy Sets Fire split included a thematic revamp of the Coalesce vibe, and There is Nothing New Under the Sun included a few true-to-form renditions of Led Zeppelin classics.  Here, however, the moments are interspersed or used as intros/interludes.

The upcoming OXEP, a seven-song addendum, branches out further, featuring vocalist Sean Ingram's preteen daughter screaming on a part of "Through Sparrows I Rest."  If that doesn't grab you and force your head to bang, OX surely will.

Coalesce: "Dead is Dead"
Coalesce: "Dead is Dead"

Busdriver: Jhelli Beam (Anti-)

Delivering his rhymes in a melodic, fast-talking, pinched-nose intonation, Regan Farquhar can be compared to few contemporaries.  And after a recent collaboration with jazz-rock group Kneebody, fans could have predicted another dose of indescribable idiosyncrasy on this, his newest full-length.

With beat/producing assistance from Daedelus and a host of others, Jhelli Beam winds through piano melodies, famous classical samples, synthesized dance grooves, and electronic hip hop.  And though the disc name drops everyone from Michael Richards to Idi Amin, Busdriver can be enjoyed without picking up one full sentence.

The Horse's Ha: Of the Cathmawr Yards (Hidden Agenda)

Layered over a mellow folk backdrop with country undertones, The Horse's Ha pairs the complementary vocals of James Elkington (The Zincs) with Janet Beveridge Bean (Freakwater).

The group also features the lofty talents of cellist Fred Lonberg-Holm (Vandermark 5), drummer Charles Rumback (Colorlist, Leaves), and bassist Nick Macri (Jeremy Enigk).  Though The Horse's Ha has been around since '02, this is its debut disc — a pretty, laidback affair that doesn't break any molds but will be enjoyed by those who dig the vocals.

The Horse's Ha: "The Piss Choir"
The Horse\'s Ha: \"The Piss Choir"

Stian Westerhus: Galore (The Last Record Co. / Rune Grammofon)

A presiding member of Jaga Jazzist, Monolithic, Puma, and a handful of other endeavors, Norwegian guitarist Stian Westerhus has expanded his scope and influence over the past decade in the Scandinavian Peninsula.

Limited to 500 copies, this vinyl-only release finds Westerhus partaking in noisy, effected meanderings. Experimental listeners and vinyl fanatics should be into this one.

Bob Log III

For 15 years, Bob Log III has knocked out fucked-up, floor-stomping rhythms for adventurous show-goers, performing in full-body cannonball suits with a telephone-receiver mic fastened to a motorcycle helmet.  His one-man-band MO consists of crazy blues riffs, drum-machine beats, solo kick-drum rhythms, and steel-stringed slide guitar.

True to form, My Shit is Perfect is quintessential Bob Log with elements of stop-start timing, lighting-fast picking, and mostly incomprehensible lyrics.

Gouseion: More Friends for the Fire EP (Run Riot)

Electronic producer Cassidy DeMarco returns with another release as Gouseion, purveyor of buzz-saw synthesizers and big beats.  For this EP, DeMarco stresses backing harmonies and scales back the power of his drum samples, resulting in a dancier mix whose appeal reaches beyond raves.

Released less than six months after his last full album, Nijikon, this EP is a digital-only release.

Gouseion: "We're in High School"
Gouseion: \"We\'re in High School\"

Bushman's Revenge: You Lost Me at Hello (Rune Grammofon)

Led by the down-tuned riffs of Even Helte Hermansen, the guitarist for the outstanding Norwegian prog-jazz group Shining, Bushman's Revenge filters a heavy rock trio through the lens of an improvisational jazz outfit.

The group cites inspiration as much from Black Sabbath and Jimi Hendrix as Ornette Coleman and Albert Ayler, and You Lost Me at Hello oddly sounds a bit like all of it, even if it leans on the first two.  Boundless free jazz meets structured rock and roll on the album, which comes recommended for fans of both styles.

Pulling Teeth: Paradise Illusions / Paranoid Delusions (Deathwish Inc.)

Punching in at five songs and 23 minutes, this doubly themed release takes hardcore group Pulling Teeth in a crushing and despairing direction.  The group's full-throttle tempos, speed picking, push beats, and wailing solos are still present, but the final product is a more-complete, ominous concoction that adds a few melodic breakdowns.

Rahim AlHaj: Ancient Sounds (UR Music)

Iraqi political refugee Rahim AlHaj found asylum in the USA in 2000, finally free of the torture and imprisonment that he suffered at the hands of Saddam Hussein for aligning himself with anti-Hussein groups.

A master of the oud, AlHaj now lives in New Mexico, where he was able to vote last November for the first time in his entire life.  His beautiful Arabic style, full of microtones and complex rhythms, has taken small elements of Western structure over the years, although this duet recording with sarod master Ustad Amjad Ali Khan is rather traditional.

Stinking Lizaveta: Sacrifice and Bliss (At a Loss)

Splashing together prog rock, math rock, stoner/psych rock, and bits of Eastern flavor, Stinking Lizaveta accomplishes quite a bit for having a semi-standard rock-trio lineup.  Guitarist Yanni Papadopoulos shines with his technical and diverse creations, and he adds keyboards and theremin as sonic supplements.  Sacrifice and Bliss comes strongly recommended for instrumental-tech-rock geeks.

Busdriver will release a new album, Jhelli Beam, via Anti- on June 9, dropping his tireless flow over a disc full of classical, jazz, Bollywood, and prog-rock samples.

Norwegian prog/jazz/metal group Shining currently has a chopped-up preview of its forthcoming album, slated for release on Rune Grammofon on October 12, posted on its MySpace page.

In an interview with BBC, Warp Records founder Steve Beckett says that a new Aphex Twin album definitely is on the way, possibly sometime this year.  The last Aphex Twin studio album, Drukqs, was released in 2001.

Stoner/doom duo Om has signed to Drag City, which will release its new, currently untitled album on September 8.  The album is being recorded by Steve Albini at his Electrical Audio studio.

Melodic metal instrumentalists Russian Circles will debut new material during a two-week US tour in late April, after which they will return to the studio to record a follow-up to 2008 album Station, due in October or November on Suicide Squeeze.

Converge has posted a brief preview video of a song from its upcoming album, out later this year on Epitaph/Deathwish.

Both this weekend and next weekend, guitarist/vocalist Nils Frykdahl of Sleepytime Gorilla Museum will provide musical accompaniment for Twobird, a performance-art piece in Berkely by Michael McCamish.

Tonight is the first UK performance by The Fear, a new project from Leo and Milo Smee, the founders of funk/prog/metal collective Chrome Hoof.  The duo performs with drums, bass, synths, and samples.

Extra Golden

Written in the wake of Kenya's political, humanitarian, and economic turmoil last year, Thank You Very Quickly stands in staunch musical opposition to what one might imagine to be the mood of much of the country.  The Kenyan/American group's upbeat, cross-continental sound remains buoyant despite the reportedly stolen election and targeted ethnic violence of 2008.

Despite the power-sharing arrangement in Kenya (similar to that of Zimbabwe), activists continue to be murdered at the hands of shadowy death squads in 2009.  Under these conditions, it is ever more important that Kenyan citizens have uplifting sounds like these.

Extra Golden: "Gimakiny Akia"
Extra Golden: \"Gimakiny Akia\"

Mirah: (A)spera (K)

A year and a half after her last full album, folk singer/songwriter Mirah churns out another disc of melodic tunes that pulse with strings, acoustic guitar, kalimba, hurdy gurdy, horns, chimes, and much more.  Mirah's vocal patterns and breathiness lend a familiar feel to each track, but the backing instrumentation does a great job of making (A)spera a diverse album.

Mirah: "Country of the Future"
Mirah: \"Country of the Future\"

Jono El Grande: Neo Dada (Rune Grammofon)

Norwegian art-rock composer/guitarist Jono El Grande is an artist whose fanciful music is different around every turn.  Influenced by Frank Zappa, Captain Beefheart, King Crimson and Igor Stravinsky, Jono's tunes weave through theatrical, progressive, classical, and absurdist styles.  This album's title, also the name of one of Jono's band members, is an apt musical characterization of the wild songs that are found inside.

Propagandhi: Supporting Caste (G7 Welcoming Committee)

Political punk quartet Propagandhi has spent more than 20 years making high-energy, anti-imperialist anthems.  No cause is off limits for lyrical inclusion, and two of this album's MP3s were made available early by a small donation to Sea Shepherd Conservation Society, Partners in Health, or PETA 2.

Even as the group gets a bit more accessible, its fans should enjoy Supporting Caste, a disc full of squealing rock solos, hardcore/punk riffs, push beats, and impassioned vocals.

Propagandhi: "Supporting Caste"
Propagandhi: \"Supporting Caste\"

Brother Ali: The Truth is Here [CD/DVD] (Rhymesayers)

The last album from golden-age-inspired rapper Brother Ali was one of our favorite releases of 2007. (See ALARM's Top Ten Albums of 2007.)

This nine-song EP features three B-sides and six unreleased tracks, and it includes a feature-length DVD that includes live footage, music videos, interviews, and special commentary. Atmosphere's Slug shows up on "The Believers."

The Bastard Noise

Borne as a side project from pioneering industrial hardcore outfit Man is the Bastard, this electro-noise trio provides a surprisingly accessible soundtrack to the Armageddon. Crackling, squealing, and howling electronics surround steady bass rhythms and eerie ambience, often while notable guest contributions — in this case, the unmistakable screams of The Locust vocalist Justin Pearson — add to the unsettling doom.

The Bastard Noise: "Tyranny Beyond Earth Epilogue"
The Bastard Noise: \"Tyranny Beyond Earth Epilogue\"

The Low Frequency in Stereo: Futuro (Rune Grammofon)

Norwegian rock quintet The Low Frequency in Stereo create unabashed pop tunes with enough appeal to make even emotionally hardened metal heads tap along. The group's electronic/rock hybrid of fuzzy, tremoloed guitar riffs, dancing organs, grooved-out melodies, and loaded effects draw parallels to plenty of contemporaries, but The Low Frequency in Stereo accomplishes this mixture in a unique fashion.

Lymbyc Systym: Carved by Glaciers [reissue] (Magic Bullet)

Before their beautiful full-length debut of Love Your Abuser on Mush Records, brothers Mike and Jared Bell made well-crafted, keyboard-driven post-rock for their Carved by Glaciers EP. The duo's heartening tunes employ piano, synthesizers, organs, xylophones, brass instruments, and much more to provide a gorgeous multi-layered mix. Coinciding with a separate split release with This Will Destroy You, also on Magic Bullet, Lymbyc Systym now has its debut EP reissued.

Lymbyc Systym: "Carved by Glaciers"
Lymbyc Systym: \"Carved by Glaciers\"

Drew Brown: Tiago La is Losing the Plot [US release] (Lex)

Though Lex Records' website would have one believe that this album doesn't exist, amazon.com begs to differ. Brown's MySpace page has a scant trio of songs, but they exhibit the eclectic singer/songwriter possibilities of this EP.

Quatre Tete: Art of the State (Sickroom)

With two EPs and a full-length album under its belt, this Chicago trio returns with its unadulterated, math-influenced mid-'90s-style rock. Fans of hard-hitting guitar/bass/drums configurations would do well to pick up Art of the State, recorded by engineer Bob Weston.

The album draws a bit of sonic inspiration from Weston's most famous group, Shellac, as well as musical brethren like The Jesus Lizard and Dianogah.

Quatre Tete: "Mouth of the Rattlesnake"
Quatre Tete: \"Mouth of the Rattlesnake\"

Squarepusher: Just a Souvenir (Warp)

Under the alias Squarepusher, beastly bassist/programmer Tom Jenkinson has traversed dozens of genres, with racing melodies that cover jazzy IDM, classical guitar, funk, and drum & bass. Just a Souvenir follows the resurgent Squarepusher trend to make his releases as diverse as possible from song to song, tearing through the above genres with melody and discord.

The album starts with some of its weakest material, but after four or five songs, it masterfully plays with genre convergence. Just a Souvenir is a must-own album for fans and newbies alike.

Zakarya: The True Story Concerning Martin Behaim (Tzadik)

French four-piece Zakarya continues its unique musical mixture – klezmer-core – that filters Jewish accordion melodies through an off-kilter math-rock base. This, the group's fourth album for Tzadik, is an imaginary film score about the life of Martin Behaim, a famous 15^th-century Portuguese geographer.

O'death: Broken Hymns, Limbs, and Skin (Kemado)

Americana / alt-country five-piece O'death bubbled to the surface of indie exposure in 2007 after the re-release of Head Home, its second album, on Ernest Jenning Record Co.

Now, in an effort to capture its raucous live, O'death has released Broken Hymns, Limbs, and Skin, which covers vast expanses of musical ground-from the droning Pentecostal chants of "Grey Sun" to the plodding, anthemic chorus of "Mountain Shifts" and the syncopated breakdown on "Vacant Moan" that will have you head banging to what you thought was bluegrass.

Akimbo: Jersey Shores (Neurot)

Seattle three-piece hardcore outfit Akimbo returns with Jersey Shores, a concept record based of a real-life horror story. The album's theme is one of unprovoked shark attacks that occurred along the New Jersey coastline in the summer of 1916, and the brutal, epic music burned on the disc matches the mood.

Akimbo: "Great White Bull"
Akimbo: \"Great White Bull\"

Huntsville: Eco, Arches & Eras [2CD] (Rune Grammofon)

An experimental trio from Norway, Huntsville uses tabla, pedal steel guitar, banjo, and traditional rock instruments to prepare moody, melodic music that knows no stylistic boundaries. Using sound textures that are combined in unconventional ways, this double-disc release is half studio recording and half live album, the latter including expert guests in the form of guitarist Nels Cline and drummer Glenn Kotche from Wilco.

John Zorn: Filmworks XXI: Belle de Nature / The New Rijksmuseum (Tzadik)

Consummate compositional experimentalist John Zorn is keeping busy, releasing his third Filmworks soundtrack of the year. This release contains a pair of contrasting scores – one for French sadomasochist erotica and one for a documentary on the overhaul of the Rijksmuseum, a national museum in Amsterdam. Zorn's label, Tzadik, promotes this release as one that ranges "from baroque minimalism to a sensual fusion of harp, guitar, and bass."